Friday, April 26, 2013

The Ruby Brooch excerpt

Yesterday, we met author Katherine Lowry Logan. Today, read an excerpt from her time-travelling romance, The Ruby Brooch. If you like the excerpt, buy the novel.


And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom. ~Anaïs Nin
Can a 21st century paramedic find her heart's desire on the other side of time?
From the white-plank fenced pastures of Lexington, Kentucky, to the beautiful Bay of San Francisco, “The Ruby Brooch”, a saga steeped in family tradition and mystery, follows a young woman's journey as she searches for the truth on the other side of the heather-scented mist.
As the lone survivor of a car crash that killed her parents, paramedic Kit MacKlenna makes a startling discovery that further alters her life. A faded letter and a well-worn journal reveal that she was abandoned as a baby and the only clues to her identity are a blood-splattered shawl, a locket that bears a portrait of a nineteenth-century man, and a Celtic brooch with mystical powers.
After studying the journal, she decides to continue her father's twenty-year search for her identity and solve her birth parents' murders. For safety reasons, she adopts the persona of the Widow MacKlenna. Although a perfect cover for her eccentric behavior, she will be forced to lie and MacKlennas don't lie, or so she thought. Finally, dressed and packed, she utters the incantation inscribed on the ancient stone and is swept back to Independence, Missouri, in the year 1852.
Upon arriving in the past, she meets Cullen Montgomery, an egotistical Scotsman with a penchant for seducing widows. The San Francisco-bound lawyer happens to resemble the ghost who has haunted Kit since childhood. She quickly finds the Bach-humming, Shakespeare-quoting man to be over-bearing and his intolerance for liars threatens her quest.
If she can survive his accusations and resist his tempting embrace for seventy-three days, she might be able to find the answers she seeks, and return home to a new life without changing history or leaving her heart on the other side of time.


Independence, Missouri, April 4, 1852
IN A SUNLIT corner of the cluttered Waldo, Hall & Company freight office, Cullen Montgomery sat tipped back on a chair’s spindly rear legs reading the newspaper and scratching a rough layer of morning whiskers.
Henry Peters slumped in a leather-reading chair and propped his legs, covered in faded cavalry pants, on a crate marked textiles and bound for Santa Fe. “What you learning ‘bout in that gazette?”
Cullen chuckled at what little real news the paper printed. Since he no longer lived in Edinburgh or Cambridge, he needed to lower his expectations when it came to the local press. Every word of the Independence Reporter had been read and reread, and although he couldn’t find mention of a scientific discovery or notice of a public discussion with a famous poet, he knew Grace McCoy had gotten hitched last Saturday. Reading the paper’s recitation was unnecessary. He’d escorted the bride’s widowed aunt to the nuptials and knew firsthand that the bride had swooned walking down the aisle. Virgin brides and widows. The former didn’t interest him, the latter lavishly entertained him.
He gave the last page a final perusal. “There’s no mention of our wagon train pulling out in the morning.”
The old soldier took a pinch of tobacco between his thumb and forefinger and loaded the bowl of his presidential-face pipe. “We ain’t got no more room anyways. No sense advertising.”
The day had turned unusually warm, and Cullen had dressed for cooler weather. Sweat trickled down his back, prompting him to roll his red-flannel shirtsleeves to his elbows. “Mary Spencer’s not going now. We can take on one more family.”
Henry dropped his feet, and his boot heels scraped the heart-of-pine floor. “Dang. Why’d you bring up that gal’s name?”
“It’s not your fault she disappeared.” Although Cullen hadn’t said anything to his friend, he believed the portrait artist he’d seen making a nuisance of himself at the dress shop had sweet-talked the porcelain-skinned, green-eyed woman into eloping.
“Maybe, maybe not.” The joints in Henry’s bowed legs popped and cracked as he stood and stepped to the window.
Cullen pulled out his watch to check the time. Before slipping the timepiece back into his vest pocket, out of habit he rubbed his thumb across the Celtic knot on the front of the case. The gesture always evoked memories of his grandfather, an old Scot with a gentle side that countered his temper. Folks said Cullen walked in his grandsire’s shoes. He discounted the notion he could be hotheaded, with one exception. He had no tolerance for liars. When he unveiled a lie, he unleashed the full measure of his displeasure. “We can’t worry about yesterday, and today’s got enough trouble of its own.”
“Rumor has it John Barrett needs money. Heard you offered him a loan.” Henry wagged his pipe-holding hand. “Also heard he got his bristles up, saying he wouldn’t be beholdin’ to nobody. Got too much pride if’n you ask me. You get down to cases with that boy and straighten his thinking out.”
God knew Cullen had tried. “If I can’t find a compromise, our wagon train could fall apart before we get out of town.”
“You’re as wise as a tree full of owls, son. You’ll figure it out.”
The newspaper had served its purpose so he tossed the gossip sheet into the trash. Then he stood and stretched his legs before starting for the door.
Henry rapped his knuckles on the windowsill. “Where’re you goin’?”
A queue tied with a thong at Cullen’s nape reminded him that his shaggy hair hadn’t seen even the blunt end of a pair of shears in months. “To the barber. Afterwards, I’ll figure out how to get your wagon train to Oregon. There’s a law office with my name on the door waiting at the end of the trail. I don’t have time for more delays.”
Henry’s bushy brows merged above his nose. “There’s more than work awaitin’ you.”
“To quote an old soldier: Maybe. Maybe not.” With the picture of a San Francisco, dark-haired lass tucked into his pocket alongside his watch, and the keening sound of his favorite bagpipe tune playing in his mind, Cullen left the office to solve today’s problem before it became tomorrow’s trouble.

Chapter One
MacKlenna Farm, Lexington, Kentucky, February 10, 2012
KIT MACKLENNA TOOK the brick steps leading to the west portico two at a time. When she reached the top step she slipped on a patch of black ice. Her arms and legs flailed rag-doll like, giving her some kind of weird location never intended for a human body. Forward motion ended abruptly when she collided with the farm’s marketing manager exiting the mansion wearing three-inch heels and her signature pencil skirt. Tucked under Sandy’s rail-thin arm was Thomas MacKlenna’s 1853 journal. Both women screamed. Sandy’s arms went up and the book hit the floor. And for the second time in less than thirty minutes, Kit landed on her ass.
“Oh, I’m so sorry.” Sandy helped Kit to her feet. Then she picked up the leather-bound journal, brushing ice crystals from its cover.
“My fault. I wasn’t paying attention.” Kit rubbed her sore butt. “That’s old Thomas’ journal, isn’t it? Did you read the proclamation to the staff?”
Sandy’s normally animated face brimmed with heartfelt concern. “The forty-day mourning period is officially over. But I’m not sure it will make your life any easier.”
Kit unbuckled her helmet and tugged on the dangling chin strap. “I woke up believing I’d feel better today, but I guess that’s my character flaw.”
“What is?” Sandy asked.
“Believing the impossible is always possible.” Kit slipped her hand into the pocket of her plaid bomber jacket and fingered a crumpled letter. “Every once in a while, impossible is just what the word means.”
Sandy squeezed Kit’s arm. “I know it’s hard, but you’ll get through this, too.”
Kit removed her helmet and shook her hair, pulling out a few long blond strands and a clump of mud. “Days like today make me wonder.”
Sandy gave her another reassuring squeeze. “I wanted to ask you something.” She opened the journal and pointed to a line in the proclamation. “This mentions a great-grandson born on the fortieth day? Do you know his name?”
Kit read the line above the marketing manager’s manicured nail. “There’s no record of a birth. Daddy said old Thomas was senile when he died. He probably imagined a grandson.”
“I wonder why no one ever made a notation in the journal.” Sandy snapped the book shut. “Whatever. Oh, by the way, I left the sympathy cards that came in this morning’s mail on the table in the foyer.”
A salty tear slid from between Kit’s eyelids and down her face, leaving behind a burning sensation on her wind-chapped skin.
Sandy pulled a tissue from her pocket. “Here, take this.”
Kit wiped her face and silently cursed that she no longer had control over her emotions.
“Everyone on the farm misses your parents and Scott. We’re grieving with you.”
“I know.” Kit blew her nose. “It’s made the last six weeks easier.”
“Well, call me later if you want to go to lunch or talk or cry. I don’t have broad shoulders like Scott, but I can listen.”
“I miss him bugging the crap out of me.” Kit scratched the scar on the right side of her neck, something she often did when she thought of her childhood friend.
“I can bug you, if you want. Since I don’t have your dad to pester, I feel sort of useless.” Sandy grasped the railing and made her way down the stairs. “Hey, what happened to your stick?”
Kit stooped and picked up her broken whip. “Stormy went one way. I went the other.”
Sandy cupped one side of her mouth as if sharing a secret. “Don’t tell Elliott. He worries about you enough.”
“The way news spreads around here, I’m sure the old Scotsman has already heard. He’ll find me soon enough and ream me out.”
“Don’t let anyone hear you call him old. That’ll tarnish his reputation.” A crease of amusement marked Sandy’s face. “Hey, did you hear what happened to his latest fling?”
Kit covered her ears. “TMI.” Half of Lexington’s female population gossiped about the sexual exploits of the serial dater. The other half made up the membership in the Elliott Fraser Past & Present Girlfriends’ Club.
Sandy eased her long legs into an electric cart. “Oh, I forgot. I returned your copy of Palm Springs Heat. Loved it.” She depressed the accelerator then gave a beauty-queen wave goodbye.
Kit mimicked the wave.
The former Miss Kentucky and marketing guru laughed. “A bit more wrist, sweetheart.”
“Pshaw.” Kit glared at the offending wrist that had been broken four or five times. She wasn’t the beauty queen type. She could ride a Thoroughbred bareback, but put her in a pair of strappy sandals and she’d get stuck in the mud. It wasn’t that she was clumsy. Just the opposite. Silly shoes couldn’t compete with her penchant for practical footwear. She lived on a farm, for God’s sake.
Before entering the house, she ran the soles of her tall riding boots across the blunted top edge of the boot-scraper. Then she turned the brass doorknob and gave the heavy oak door pockmarked with Civil War bullet holes a quick shove. It opened on quiet hinges into an even quieter house.
The scent of lemon oil permeated the twenty-foot wide entrance hall. Even as a child, she’d loved the smell. The room cast the appearance of a museum with a vast collection of furniture from the eighteenth and nineteenth centuries. Each piece darkened by countless waxings. Now that Sandy had read the proclamation, the cleaning staff could remove the black linen shrouds that draped the family portraits dotting the oak-paneled walls.
Kit dropped her helmet, crop, and muddy jacket on the rug, and then pulled off her boots, leaving everything piled by the door.
The letter.
She grabbed it from her jacket and stuffed the note inside her shirt pocket.
The side cabinet held a stack of sympathy cards. She blew out a long breath. People from all over the world sent condolences. Their thoughtful words tugged at her heart, but she couldn’t read them right now.
An official looking envelope from the Bank of San Francisco piqued her curiosity. It was incorrectly addressed to Mrs. Kitherina MacKlenna. She pried her nail beneath the sealed flap. Then the phone rang. Elliott? Avoiding him was impossible. He’d continue to call until she answered. She dropped the mail on the edge of the table and hurried down the hall.
On the second ring, she entered her father’s office. On the third, she plucked the receiver from the cradle. “MacKlenna Farm.”
“Do you have a cold, or are you crying?” Elliott asked in a voice that held only a hint of his brogue.
She propped a hip on a corner of the mahogany desk. “I strained my vocal chords last night singing all of Scott’s favorite songs.
“Heard that squawking. Almost called the police.”
A faint smile eased the tension in her face. “You’re in rare form today.”
“I’ve been at a meeting with the board of directors.”
“Well, that explains it. Where are you now?”
“Driving through the main entrance. Stay put. We need to talk.” The line went dead.
“I need to talk to you, too,” she said, sassing the handset before dropping it into the charging cradle. The dang thing tumbled out and landed on the desk next to a Jenny Lind doll trunk. The bread-loaf-shaped trunk held that closed up for a long time smell that made her nose twitch. “Achoo.”
She smacked the lid closed and somehow pinged her finger on one of the brass nail heads that held a metal strap in place. Droplets of blood pooled beneath the tip of her nail. The injured digit automatically went to her mouth.
My accident prone morning finally drew blood.
She shoved off the desk and paced the room. When she heard the door knocker, she veered into the hallway. The canvases were now uncovered. Welcome back. Just as she’d done since childhood, she patted each one, saying their names in a sing-song manner: Thomas I, Thomas II, Sean I, Jamilyn, Sean II, Sean III, Sean IV, Sean V. She usually kissed the portrait of her father, Sean VI, on the cheek, but not today.
At the ripe old age of five, Kit had decided she wanted her portrait to hang alongside Sean I’s twin sister, Jamilyn, who died while sailing to America. Kit didn’t want her great-great-great-great aunt to be the only woman in the MacKlenna Hall of Fame. So she drew a self-portrait, then nailed it to the wall with wood screws she found in her daddy’s toolbox. She’d never forget explaining to her pony that she couldn’t ride for a month because she damaged the wall. She patted the blemishes between the portraits, still visible to those who knew they were there. Punishments and tragedies had never diminished her ability to take it on the chin—until now.
Elliott was visible through the front door sidelight standing on the porch wearing a green Barbour jacket and khakis with the usual knife-edge press. His aviators were tucked into the collar of his polo shirt. A MacKlenna Farm ball cap covered all but the sides of his freshly barbered hair. She kicked her boots and muddy jacket aside and opened the door. “Why’d you knock?”
“Door was locked. Didn’t have a key.”
“Sorry. I must have done that when I came in.”
Her godfather crossed the threshold, favoring his right leg. His expression was solemn and severe. She knew the old injury to his calf was especially sensitive to the cold. He removed his cap. Then as he raked his fingers through the silver hair above his temples, he sniffed the air. “Cleaning day.”
“Sandy just read the proclamation.”
“It’s done then.”
Kit pointed over her shoulder. “Mom’s portrait is uncovered. All the shrouds are gone.”
He glanced at the portrait hanging over the mantel. An equal measure of sadness and anger registered on his face. “That’s Sean’s best work. It never should have been draped.”
“I had to follow MacKlenna tradition. Daddy would have come back and haunted me if I hadn’t. The last thing I need is another one of those see-through people.”
“Sean MacKlenna as a ghost. That’s an intriguing thought.” Elliott hung his jacket and cap on the hall tree. When he spied her coat and boots on the floor, he clucked his disapproval. “Let’s go into the office and you can tell me why you came off your horse this morning. That’s twice this week.”
She held her breath a moment waiting for the lecture.
“Your horse showed up at the barn without you. Scared the grooms and trainers. If a hot-walker hadn’t seen you cutting through the tree line, every alarm on the farm would have sounded.”
She twisted a corner of her shirttail that had come untucked when she fell the first time. “The ghost spooked me at the cemetery. Stormy planted his feet and I went over his shoulders. Then I had to walk home with a sore back, a bruised ego, and that handsome apparition shadowing me. Again.” She glanced out the sidelight to be sure the ghost wasn’t still hanging around. “Today he looked like a nineteenth-century lawyer all decked out in a double-breasted frock coat. What’s up with him anyway?”
“I’m sure your ghost didn’t intend for you to fall.”
She elbowed Elliott in the side. “Get your tongue out of your cheek. I never know whether you believe me or not.”
“I believe you. But if you fall and break your back again, you might never get up.”
She rolled her tongue along the backside of her teeth to give it something to do instead of blurting out that she didn’t want Elliott or a ghost or anyone else hovering over her. She was a paramedic. The Lexington Fire Department trusted her. Wasn’t that proof enough she could take care of herself? “If you’re done with the lecture, tell me what the board of directors wanted.”
His face tightened. “It was a heated meeting. Hazy Mountain Stud wants to buy a controlling interest in Galahad. I don’t want to decrease the farm’s percentage of ownership in the stallion, but as CEO I only have one vote.”
“That means he’ll shuttle to the southern hemisphere every year. Daddy didn’t have a problem with that. I guess the board feels—”
Elliott reached over and patted her twice on the shoulder. “Don’t worry about it.”
She folded her arms, stiffened, then followed him down the hall. “If I had a dollar for every time Daddy told me not to worry, I’d have more millions than his estate.”
“And more Apple stock than me.”
“Haha,” she said, glowering at his back.
They entered the office. Elliott headed straight to the full-service wet bar located opposite a wall of floor-to-ceiling windows. “I suppose it’s too early for scotch.”
As if on cue, the long case clock in the corner sounded the hour.
“Nine o’clock is a bit early for me, but you might want a drink to wash down what I’ve got to tell you.”
He poured a cup of coffee instead and pointed it toward the desk. “What’s with the trunk? I’ve never seen it before.”
She lifted the lid. Small leather pouches filled with diamonds, gold nuggets, and coins lay on top of a bloodstained lace shawl. “Jim Manning’s office called late yesterday. He wants a copy of the 1792 land grant for probate. No one could locate the original. I searched the desk this morning and bingo. It was with this trunk.”
“I didn’t know there was a drawer that big.”
“There’s a secret compartment. Daddy showed it to me when I was a kid.” She framed an imaginary headline with her hands. “Heir learns secret at age of ten.” Her shoulders sagged. “He said never to open it until I was the farm’s mistress. Now I am and I still felt guilty doing it.”
“Thanks to that MacKlenna brainwashing, you feel guilty about everything. So what’d you find in the treasure chest? Gold doubloons?”
“Sort of. And a journal. And a letter from Daddy.” Her voice teetered on the verge of cracking. “He said he found me on the doorstep when I was a baby.”
Elliott muttered, shifting uneasily on his bad leg. “We both—” He cleared his throat. “—found you asleep in a Moses basket.”
The heat of confusion burned through her. “You knew?”
A wistful expression deepened the fine lines on Elliott’s chiseled face. “Sean asked me never to tell you.”
“Don’t you think I had a right to know?”
Elliott stared into his coffee and pulled his lips into a tight seam.
She pointed her finger at him. “You know what’s in the trunk, don’t you?”
“Did he save the shawl?”
The confirmation in the form of a question stung her far beneath the skin.
“I thought you were hurt, but the blood was on the shawl, not you.” He set his cup on the desk and picked up the ruby brooch Kit had taken from the trunk earlier that morning. “This was pinned to your dress. I haven’t seen it since we found you. I didn’t search the basket. Sean said he would do that.”
“I found a book on Celtic jewelry in Daddy’s library. That’s a fourteenth-century brooch. The letter said it’s magical. Do you believe that?”
Elliott picked up a portrait miniature of a blond-haired, nineteenth-century man, studied the face, set the painting aside, and then ran a finger across the two-inch ruby set in delicate silver work.
“I’ve studied our folklore most of my life, Kitherina. I believe there’re forces in the universe we can’t see or understand. If Sean said this is magical, I have no reason not to believe him.” Elliott turned the brooch over and studied the back of the stone. “My grandfather used to say, ‘Some see darkness where others see only the absence of light.’”
She drew in a breath. “Meaning?”
He placed the brooch in her hand and curled her fingers around it. “Keep an open mind.”
“That’s what Daddy said in his letter before he said this thing took him back to 1852.”
Elliott’s face lost its color. “Where’s the letter?”
Kit pulled it from her pocket and nudged his arm. “Here.”
Lines formed between his eyebrows. “You made a paper airplane out of it?”
She glanced at the blister on her knuckle. “With sharp creases, just like you taught me. Then I flew it into the fireplace. It crashed on its side or the whole thing would’ve caught on fire.” She walked over to the wet bar to grab a bottle of water. “My grief counselor would probably call it a form of disassociation. Burned my finger when I pulled it out.” Her finger hurt like hell. “Read it out loud. It might make more sense hearing it from you.”
Elliott smoothed out the folded letter and began with a quick throat-clear. “Dear Kitherina, I’m writing this knowing you may never read it, but I can’t risk dying without telling you the truth of your birth. Please keep an open mind as you read.
“You were only a baby when I found you on the steps of the west portico, wrapped in a bloody lace shawl. At first, I thought you were bleeding, but you weren’t. You had a ruby brooch pinned to your dress and a portrait miniature clutched in your hand. Both the portrait’s gold frame and the shawl have a monogrammed M worked into their design.”
Elliott carried the letter and cup of coffee across the room and sat in a tufted, hunter green, velvet wing chair situated just so in front of the fireplace. He took a sip and continued. “Not long after your second birthday, I discovered whoever made the brooch had split the ruby and hinged the halves together. Engraved inside is a Celtic inscription: Chan ann le tìm no àite a bhios sinn a’ tomhais an gaol ach ’s ann le neart anama.”
Elliott lowered his hand to his lap and she could tell he was thinking hard. Then he said, “‘Love is not measured by time or space. Love is measured by the power of the soul.’ At least that’s my best translation.”
Kit dropped onto the ottoman in front of him. “I wondered what it meant.”
He took another sip of coffee. “When I read those words out loud, I was instantly propelled toward amber light. I found myself in Independence, Missouri, in the spring of 1852. The city was a major jumping off point for those traveling the Oregon Trail. That year alone, there were over fifty thousand people heading west, so you can imagine the crowds in the city. Since I was there for several weeks, I painted portraits to earn money for room and board. I also painted from memory the face of the man in the portrait miniature and showed it to everyone I met. Although a few people thought he looked familiar, no one was able to identify him.
“When I decided to return home, I repeated the words. I had no way of knowing if the brooch would take me home, but neither did I understand why it had taken me to Independence to begin with, although I am thankful it did. The brooch is, however, your legacy, not mine.”
Elliott leaned forward, pressed his elbows into the arms of the chair, gripped the letter between his hands, and continued reading. “I’ve spent over twenty years researching 1852, Independence, and the Oregon Trail, but I’ve found no mention of a missing ruby brooch or a disappearing baby. If I had discovered evidence of one or the other, I would have gone back. If a lead existed, it has been lost to history by now.
“I had the bloodstains on the shawl tested. The DNA profile was compared to a sample of your DNA, and there is a genetic match. The blood belonged to your birth mother. I’m sorry I can’t offer you more to help you understand where you came from, but I know where you belong, and that’s on MacKlenna Farm.” Elliott’s hands shook as he ended the letter. “Even though you weren’t born a MacKlenna, you are one—the ninth generation.” He dropped the paper on the table next to the chair. Color drained from his face. “I’ll have that scotch now.”
Kit picked up the letter and slipped it between the pages of the journal. “You and Daddy were friends for over forty years. You believe this is true, don’t you?”
Elliott poured two fingers of scotch and tossed them back in a single swallow. “Sean never lied to me.”
“Well, he lied to me,” she said, her voice cracking. She dropped the journal on the desk next to a photograph of her show jumping at the 2010 World Equestrian Games in Lexington. The tips of Kit’s fingers traced the smooth edges of the frame. “If I had died in the crash too, this information never would have surfaced.” The normal steel in her voice melted into a gray puddle at her feet.
Elliott shuffled to her side and wrapped his arms around her—arms that had held her through boyfriend breakups and broken bones and burials.
“Daddy raised me to believe in a code of honor. Keeping a secret like this goes against everything he taught me.” Her eyes filled with drowning grief. “I hurt, Elliott. I hurt because my parents and Scott are dead. I hurt because my parents didn’t tell me about this. I hurt because I don’t bleed MacKlenna blood. My life has always been about bloodlines and pedigrees. We know our stallions’ dams and sires.” She thumped her chest. “Who sired me? Who?”
The winter wind ceased, and the skeleton branches no longer thrashed against the side of the house. “Damn it,” she said, breaking into the silence. “It would have been so different if I’d known all my life that I was adopted. I wouldn’t have bought into this two-hundred-year-old family legacy if I’d known I wasn’t really one of them.”
Elliott punched his fist into his palm. “You’re wrong, young lady. You’re as much of a MacKlenna as those old men whose pictures are hanging in the hallway.”
She grew quiet as a dozen thoughts bunched up like racing Thoroughbreds along the rail. “You don’t get it, do you?”
His deep brown eyes held a puzzled look. “I get it. I’m not sure you do. You’re still Kit MacKlenna. It doesn’t matter who your birth parents were. You’re now the heart and soul of this farm.”
The wind started up again, blowing hard and swirling around the house with a mournful cry. Kit pushed away from him and faced the window. Her fingers dug into the thick drapery panels. She pulled them aside, allowing a shaft of outside gloom to peek through.
“What’s in the journal?” Elliott asked.
Glancing over her shoulder, she offered him a smile—a tense one, without warmth or humor. “After I read the letter, I couldn’t read anything else.”
He swept his hand toward a pair of sofas that faced each other. “Let’s sit and look through it. There might be something in there to make you feel better about this news.”
From her position at the window, she could see her mother’s winter garden—stark and bare. “That’s unlikely.”
He put his arm around her. “Come.”
They settled into the thick cushions, a signal to Tabor, a brown tabby Maine Coon, to jump up between them and perch on the back of the couch. “Get down, Tabor,” Kit said. The cat jumped to the floor and sauntered over to a corner of the room.
“Your mom spoiled him. I’m surprised he listens to you.”
“He doesn’t. He’s scared of you. He thinks Dr. Fraser is going to give him another shot.”
“Memory like an elephant.” Elliott gave Tabor a thoughtful glance, then flipped to the first page of the notebook where Sean had written 1852 Independence, Missouri. The next pages contained pencil sketches. Shops on the right, a grid of roads around a town square on the left.
She pointed to one of the buildings. “Look at the woman in that window. Who does she look like?” Kit opened the drawer in the table next to the sofa, rifled through the contents until she found a magnifying glass and then held it over the picture. She gasped. “Good God. It’s Mom. Why’d he sketch her there?”
Elliott grabbed the glass and squinted through it, then regarded Kit with narrowed eyes. After a moment, he returned his gaze to the drawing and said, “Sean drew Mary’s face when he doodled, just like you draw Stormy.”
Kit turned to the next page and began to read. With a gulp of surprise, she grabbed Elliott’s hand, demanding, “Listen to this. ‘I met Mary Spencer the day I arrived in Independence.’” Kit could barely move, feeling as if her joints had frozen where she sat. “What’s he saying, Elliott? That Mom was from the nineteenth century? But that’s impossible.”
He placed his other hand over hers and squeezed. “You’re the one who believes the impossible is possible.”
“Yes, but—”
“If we had told you we’d found you on the porch, you would have wanted to know what steps were taken to find your birth parents. Sean wasn’t going to tell you that he’d found a way to travel back in time. If he had, would you have believed him?”
“An act of omission is still a lie and MacKlennas don’t lie.” The revelations stripped away the bare threads of her self control. She jumped to her feet and whipped her head around so fast her ponytail smacked her in the chin. The room folded in on her. If she didn’t get air she would suffocate. She staggered to the French doors, pushed them open, and stumbled onto the portico.
Elliott stood in the doorway. “Come back in here. Let’s talk about this.”
The fingers in her right hand tensed into a fighting fist. “Go to hell.”
A moment later, the doors clicked shut.
She pounded her fist on the railing as she stared out over the rolling hills covered with frost-tipped Kentucky bluegrass. Her stomach roiled, but she kept down the little bit of food she’d eaten at breakfast. Why has this happened? She closed her eyes, but darkness couldn’t halt her father’s words from flashing strobe-like across her brain.
When her eyelids popped open, she spotted her ghost. He stood under the pergola in the garden, rubbing his thumb across the front of his watch case. A gesture she’d often seen him make. He stretched out his arm, beseeching her to come to him.
“What do you want?” The panic in her voice reminded her of the little girl she had once been, sprawled on the ground after falling from her horse—scared, but not of him. A sob tore from her throat. “There’s nothing you can do.”
He slipped his watch into his pocket, gazed once more into her eyes, then faded away.
Sometimes life is nothing more than a photo album full of goodbye pictures. She stepped back into the house, an empty house, where unlike her ghost, the hurt and the heartache would never fade away.

Thursday, April 25, 2013

Guest Author, Katherine Lowry Logan

Welcome today's guest, Katherine Lowry Logan, author of the romance time travelling novel, The Ruby Brooch. Come back tomorrow for an excerpt.

Tell us a little about yourself?

Katherine is a marathoner and an avid reader who turned her love of reading into a passion for writing and has completed a sweeping time-travel romance The Ruby Brooch. She is currently working on two additional time-travels and a romantic suspense.

A graduate of Rowan University in New Jersey, she earned a BA in Psychology with a minor in Criminal Justice. Following graduation, Katherine attended the Philadelphia Institute for Paralegal Training earning a General Practice Certification. She returned to Central Kentucky and worked for twenty years as a paralegal and law firm office manager.

What made you want to become a writer? Is there any particular author or book that influenced you either growing up or as an adult?

I started writing poetry as a teenager and still dabble a bit. There are a couple of original poems in THE RUBY BROOCH. From the fall of 1996 to September 1997, I read almost three hundred romance novels. I started with Elizabeth Lowell’s WINTER FIRE and from there read her entire back list. Then I moved on to Beatrice Small, Linda Howard, and others. After all those books, the day came when I put down the one I was reading, and said, “I can do this.” Ten weeks later, I wrote The End to THE RUBY BROOCH. Over the next several years, the story was either in the closet or going through one of a dozen rewrites. Then, in 2012, the book came out in print.

What genre do your works fall into?

Paranormal/Time Travel Romance/Historical

What about this genre appeals to you?

I’ve been interested in time-travel since childhood. The Time Machine, A Connecticut Yankee in King Arthur’s Court, and my all-time favorite Somewhere in Time. Also, I fell in love with historicals reading Hawaii, Centennial, The Source, The Fires of Spring and other words by James Michener.

Could you tell us a bit about your most recent book and why it is a must-read?

The Ruby Brooch is a Kindle bestselling time travel romance.  I’ll let a recent reviewer explain why it’s a “must read.”

“Katherine Logan has weaved an intricate tale in the classic western mode spiced up with the fantasy elements of time travel. She has avoided all the clichés and has done a great job invoking the feel of the times, the smells, tastes, fears and joys, hardships and triumphs and created a true masterpiece worthy of films such as How The West Was Won and the Pulitzer Prize winner - The Way West. I had goose bumps all over when I finished this work of brilliance and am eager for the next installment. A riveting five star read.”

Brief Synopsis:
And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom. ~Anaïs Nin
Can a 21st century paramedic find her heart's desire on the other side of time?
From the white-plank fenced pastures of Lexington, Kentucky, to the beautiful Bay of San Francisco, The Ruby Brooch, a saga steeped in family tradition and mystery, follows a young woman's journey as she searches for the truth on the other side of the heather-scented mist.
As the lone survivor of a car crash that killed her parents, paramedic Kit MacKlenna makes a startling discovery that further alters her life. A faded letter and a well-worn journal reveal that she was abandoned as a baby and the only clues to her identity are a blood-splattered shawl, a locket that bears a portrait of a nineteenth-century man, and a Celtic brooch with mystical powers.
After studying the journal, she decides to continue her father's twenty-year search for her identity and solve her birth parents' murders. For safety reasons, she adopts the persona of the Widow MacKlenna. Although a perfect cover for her eccentric behavior, she will be forced to lie and MacKlennas don't lie, or so she thought. Finally, dressed and packed, she utters the incantation inscribed on the ancient stone and is swept back to Independence, Missouri, in the year 1852.
Upon arriving in the past, she meets Cullen Montgomery, an egotistical Scotsman with a penchant for seducing widows. The San Francisco-bound lawyer happens to resemble the ghost who has haunted Kit since childhood. She quickly finds the Bach-humming, Shakespeare-quoting man to be over-bearing and his intolerance for liars threatens her quest.
If she can survive his accusations and resist his tempting embrace for seventy-three days, she might be able to find the answers she seeks, and return home to a new life without changing history or leaving her heart on the other side of time.
What research did you need to do for this book?

· I read countless Oregon Trail journals to get a feeling for the life and challenges the travelers experienced.
· I joined the California-Oregon Trail Association and had dozens of conversations with experts about life on the trail.
· I talked to people all around the world about carbon dating, Thoroughbred racing, guns, clothing, food, snakes, and the list goes on.
· I travelled the trail from Independence, Missouri to Portland, Oregon, and in many places followed the actual wagon ruts. The round trip from Lexington, Kentucky to Portland took nineteen days. It was an incredible adventure.

What was your inspiration for writing The Ruby Brooch?

I set out to write a time travel that took place in the American west in the mid-1800s. The story evolved as I wrote by “the seat of my pants.” When I realized I needed a time travel method, I decided to use a ruby brooch based on a bracelet I have. The bracelet has an interesting past. It was an original design made for a woman in the 1970s.  In the 1980s, she paid her CPA’s bill with the bracelet. In the early 1990s, the CPA’s widow paid her legal bill with the bracelet. After the death of my husband, the lawyer in the story, I ended up with the bracelet.  The bracelet is now memorialized by the book.

Are your characters based off real people or did they all come entirely from your imagination?

I think many of the characters have traits of friends and family members. And I can certainly identify with Kit’s grief and trauma. My husband died five days after I wrote THE END. During the many rewrites over the years, I was able to pull from my own experiences and add depth to Kit’s grief and recovery.

Of all the characters you have created, which is your favorite and why?

Elliott Fraser is Kit MacKlenna’s godfather. In the beginning, he was a groom on the horse farm, but he developed into a 50-year-old veterinarian/bachelor from Scotland.  By the end of the book, I knew I had to write his story next. Although he has significant physical and emotional scars, he can be tender and passionate. You can’t help but love him.

What is the biggest surprise that you experienced after becoming a writer?

Two things:
  1. How much writing truly gels with my personality and skill set. I have a passion for research and turning that research into an interesting story.
2.      I lived in a happy writer’s world prior to publication, writing and talking with other writers. I wasn’t concerned with marketing because I had nothing to market. I have since learned that an author needs a platform in place long before there’s a book to promote. Now I split my time between writing and marketing. Like many others, I find social networking a challenge. There are many days when I think Twitter and Facebook control me, not the other way around.

Do you have a day job in addition to being a writer?  If so, what do you do during the day? 

I’m a full-time writer and LOVE IT!

What is your favorite writing tip or quote?

I love editing, but I have to remind myself daily that I can’t edit a blank page. Write. Write. Write.

Tell us a little about your plans for the future.  Do you have any other books in the works?

I’m currently working on Elliott’s story titled The Last MacKlenna. I have two more time travel stories (The Sapphire Brooch and The Emerald Brooch) in the works that will complete The Celtic Brooch Trilogy. I also have a prequel (short story) to The Ruby Brooch plotted that I intend to write as soon as I finish The Last MacKlenna.

Where can we find you online? (please cut and paste links):

Now available: The Ruby Brooch, Book 1 of the Celtic Brooch Trilogy, a time travel romance.


Friday, April 19, 2013

Move, an urban fantasy, mystery novel

Yesterday, we spoke to Sherri Moorer. Today read a sample of her work, and if you enjoy the excerpt, be sure to buy the book.


All Ruby Josen wanted was to get ahead in life. After a decade of lost relationships and missed opportunities, she's ready to move on and desperate to do whatever it takes to get out of her rut. When Ruby meets Bryce, a handsome stranger at the town's spring festival, his offer to turn fate to her favor seems too good to be true. But everything has a price, and Ruby learns that interfering with fate has bigger consequences than she realized. It leaves her to wonder who's really controlling her life and who - or what - Bryce really is.



“Please state your name for the record.”
Simone stared at the detective sitting across the table with suspicious blue eyes. “You know who I am.”
Detective Claire Barnes fiddled with the digital recorder on the table between them. “I’m reinstating the formalities. Please state your name.”
“Simone Dawkins,” she said, pushing a strand of dark brown hair behind her ear.
“Simone, I’m going to cut to the chase. Is there anybody with your company that had a grudge against you?”
Simone’s raised her eyebrows.  “Me?”
“Yes. You or any of the employees at Goodard Graphics.”
Simone stared at Detective Barnes defiantly, pulling her tall, thin body up straight in the chair.  “After all that’s happened, I think you know the answer to that question. I don’t understand why you’re being this way.”
Detective Barnes creased her brow, apparently confused. “I’m not sure what you’re talking about, so let’s get back to why you’re here. Now tell me, have you terminated anybody? Was anybody disgruntled? Were there any office politics that might have pushed somebody over the edge?”
Simone set her jaw. “Somebody just tried to kill me and it’s obviously tied to the other crimes in Tanger Falls. Now please, I need your help.” She reached for the coffee cup in front of her but accidentally crushed it, spewing brown liquid over the steel table. “Crap!” she shouted. “Do you have any napkins around here?”
“Forget the coffee; just answer the question.”
“No, this is a mess. We need to clean it up.”
“I don’t care about the coffee,” Detective Barnes said sternly. “This is the third crime on my case load in as many weeks. Now you’re saying somebody was trying to kill you. I think asking if anybody has a grudge against you is perfectly sensible. So tell me, Simone Dawkins, is there anybody that was pissed off enough to cause all of this chaos?”
Simone leaned back in her chair, sighing and running her hands over her face. “I can’t believe this. You keep going on as if you don’t know what’s happening.”
Detective Barnes glared at her. “I don’t know what’s happening, so please enlighten me.” She leaned forward. “This had to start somewhere. Where did it start, Simone? What set off this domino effect of madness?”
“I don’t know! Things were fine! Everything was fine until,” Simone broke off and her eyes widened in shock. “Oh God,” she moaned, tears welling in her eyes.
“What?” Detective Barnes said. “Please, anything helps.”
Tears rolled down Simone’s pale cheeks. “Three months ago.”
Detective Barnes stared at Simone waiting for more, but Simone sat silently, tears running down her cheeks. “Ok, this started three months ago? What happened?”
“I lied.”
“Just one time, or was it several times over the past three months?”
A sob wracked Simone’s body. “It just kept going on and on and more people got involved. Before I knew it, everybody was tangled up in it.” She sniffed. “I didn’t mean for it to end this way. I never imagined that anybody would get hurt.”
Detective Barnes pulled a wadded tissue from her pocket and handed it to Simone. “Who did you lie to?”
Simone looked toward the ceiling, the tears in her eyes glinting in the harsh light of the lamp hanging over the table. “Everybody. But I underestimated one person I thought didn’t matter and, well, I was wrong. She does matter. And now she’s going to make me pay.”
Simone stared at Detective Barnes, a cold look in her eye. “Ruby Josen.”
Detective Barnes flipped through her notes. “I don’t understand. How?”
Simone shook her head. “I don’t know, but she’s the only one left. It has to be her. There’s nobody else left. I just don’t understand how she did it. I don’t understand how she knew.”
“Knew what?”
Detective Barnes flipped to a fresh page in her notepad. “Alright, let’s take this from the beginning. Tell me what happened.”

Chapter 1

Ruby Josen wound around the people crowded at the end of the buffet table, trying to find a seat at one of the picnic tables while balancing a plate of barbeque, baked beans, green beans, and macaroni and cheese in one hand and a large cup of sweet tea in the other. It was a bright, clear day and Mr. Goodard, the CEO of Goodard Graphics, reserved the best picnic area next to the Smoky Mountain National Forest for the annual company picnic. Then again, beating out competition for the space wasn’t hard. Goodard Graphics did all the graphic design and advertisements for every business in the area, so everybody was willing to give up the prime space once a year to give the employees a chance to socialize and strategize for the remainder of the year. The main office was located in Knoxville, but the branch office in Tanger Falls, Tennessee, located just outside of Gatlinburg, brought in almost fifty percent of the company’s revenue. It made sense, considering tourism in the area around the National Forest. Their workload was consistently high.
“Hi neighbor, what’s up?” Denise Rockwell said, dropping in the seat next to Ruby. Denise was a graphic artist and looked every bit the part with her long brown hair, dark brown eyes, and bright clothes. Today she was wearing a bright yellow shirt and jeans held up by a white belt with so many metal loops that she would never make it through an airport metal detector. She was short and curvy, but she made up for what she lacked in size with an explosive personality and brilliant creativity in her design work. It’s why she was the most popular graphic artist in their office, and perhaps in all of east Tennessee. Denise was Ruby’s best friend and neighbor in the one and only apartment complex in Tanger Falls.
“Hi Denise,” Ruby said, brushing her long, blonde hair behind her ear. She peered at Denise with sky blue eyes over the rim of her sunglasses. “I see you’re trying to outshine the sun in your outfit today.”
Denise laughed as she sat. “And I see you’re trying to blend in,” she said, pointing at the long, brown dress hanging off Ruby’s tall, slim frame with her fork. “Why do you buy your clothes two sizes too big? Or here’s a better question: why are you sitting out here by yourself?” Denise asked. She motioned to head table with a plastic fork. “Why aren’t you up there with the senior staff? You should be hobnobbing with the folks from Knoxville. We only see them once a year.”
Ruby laughed. “You aren’t up there hobnobbing with anybody. You’re back here, the same as me. Besides, I’m not comfortable with that crowd.”
“Not comfortable with them? You work with Simone and Millie every day.” Denise stared at Ruby. “Wait a minute. Are you still miffed about being passed over for the executive secretary position a couple of months ago?”
Ruby slumped in her chair. “No, that’s the past and there’s no use dwelling on it,” she poked at her baked beans, “Millie isn’t nice to me. She’s a bully, and Simone doesn’t stand up for me. Ever since Mr. Goodard hired Millie as the executive secretary, it feels like they’re ganging up on me.”
“Are they still giving you problems?” Denise glared at Millie Banks, who was chuckling at the head table beside Mr. Goodard. A strand of red hair fell from her loose bun, dangling next to her porcelain skin. “I could snap Millie in half. She’s a stick.” Denise chuckled. “Five minutes in the sun will probably give her skin cancer. Those redheads burn easy.”
“That’s not nice,” Ruby mumbled.
“Sorry,” Denise said. “What’s the problem? Is she still claiming you’re rude to customers and messing up work? Because that’s total crap. All the customers I work with say you’re a ray of sunshine.” She took a gulp of her tea. “And why isn’t Simone sticking up for you? I mean, you guys got along great until Millie was hired. Did she flip on you or what?”
“I don’t know about Simone. As for Millie, you know we didn’t get off to a good start,” Ruby said. “She’s still mad about me about messing up the paperwork for one of the clients when she first started. She reminds me of that every chance she gets.”
“Ruby, everybody makes mistakes. That could have happened to anybody. And it was what, once in how many years?”
“Eleven years,” Ruby said.
“Heck, that’s the best track record I’ve heard of.” Denise paused to stare at Millie. “You know, I’ve heard a few of the graphic artists say she’s trying to change everything. A client called me last week and said they got their pre-production package digitally, and it nearly crashed their server because the attachments she sent were too big. I had to come to the office, print it out, and hand deliver it to the client at their office in Gatlinburg. Is Millie doing that a lot?”
Ruby nodded. “All the time. I tell her that she needs to talk to Mr. Goodard about these changes, or at least with the clients, but she does what she wants. She’s always telling me I need to be more innovative and fully embrace technology.” She snorted. “She talks to me like I don’t know what I’m doing, but I know more than she does. Heck, I’ve been grinding away as their receptionist since this office opened. I was more than qualified for that job, but they brought her in from out of nowhere.” Ruby sipped her tea. “I don’t get it. Simone said she’d give me a reference. I sure thought the business manager’s word would have weight.”
“Did you ask Simone about it?”
“No, I can’t do that. That stuff’s confidential. She can’t talk about the hiring process. Besides, she’s so distant these days between her divorce and training Millie that we don’t talk a lot. When we do, it seems like she’s siding against me. I don’t understand it.”
“Ruby, quit being a doormat. She promised you a reference. I think it’s perfectly appropriate to ask if she gave it.”
“I don’t know.”
“Just ask her. I’m sure there’s something she can tell you without violating any sacred policies. Maybe it will explain why she’s been so distant lately too.” Denise looked around and spotted Simone getting a tea refill. “Come on; let’s ask her now. The sooner you get answers, the sooner you can move on.”
“Denise, no!” Ruby said, but before she knew it Denise jumped from her seat and was chatting with Simone. She saw Simone pull herself up straight and look down at Denise, Ruby thought it was silly that Simone wore high heels. She was five foot ten and towered over most of the women in town, so it’s not like she needed extra height. Denise touched Simone’s arm as she leaned in to say something else. Simone shrugged and walked over to the table.
“I need to get back,” Simone grumbled. “I told Millie--“
“Have a seat,” Denise said sternly.
Simone stared at Denise for a moment, and then sat across from Ruby.       “What’s on your mind?”
Denise poked Ruby in the arm. “Go ahead, ask her.”
Ruby sighed. “I was wondering. I mean, I know Mr. Goodard hired Millie for the executive secretary position a couple of months ago.”
Simone furrowed her brows. “This isn’t about you two fighting all the time is it? Because I told you, it’s time to overcome your differences and establish a professional relationship.”
“No, it’s not about that,” Ruby said. “I was just wondering.” She trailed off and looked around.
“Ruby, what?” Simone asked, irritated.
“A while back when you were taking applications for the executive secretary position, you said I’d be an excellent candidate for the job. You said you’d give me a reference for it too. I was just wondering; did you give Mr. Goodard that reference?”
Simone set her jaw and glared at Ruby. “I don’t recall saying any such thing.”
Ruby’s jaw dropped. “But you did! It was right after Valentine’s Day. You said Mr. Goodard wanted somebody experienced in that position and my long history with the company would make me the perfect candidate. And you did tell me to put your name down as a reference.”
“Oh that,” Simone looked around. “You misunderstood me. What I said was that I’d understand if you applied for the job and wished you luck. I never said you were guaranteed the position.”
“That’s not what I said.”
“And furthermore,” Simone said, cutting Ruby off, “I couldn’t be a reference because I’m your direct supervisor. That would be a conflict of interest.”
“No it wouldn’t,” Denise said. “It makes perfect sense. Besides, don’t people usually call the current supervisor when they’re interested in hiring someone?”
Simone continued to look away. “Perhaps.”
“Well, did Mr. Goodard call you after Ruby interviewed with him?”
Simone started to stand, but Denise reached across the table and grabbed her arm. “I asked you a question.”
Simone glared at Denise. “I wasn’t aware that graphic artists were familiar with office policies.”
“I’m familiar with more than you can imagine. Come on, Simone. It’s a simple question. Answer it and you can go.” She let go of Simone’s arm and nodded toward the head table. “I don’t think the ‘in crowd’ has missed you yet.  Answer the question and we might let you get away before they see you consorting with the lowly staff members in the branch office.”
“Fine,” Simone said, glaring at Ruby. “The truth is that I’m not at liberty to say whether Mr. Goodard called me or what I said if he did. That’s confidential information and I’d be violating the law I answered it. So I’m completely within my rights to say it’s none of your business.” She stood. “I’m sorry you’re upset about getting passed over for the job. You were a good candidate, but Millie was a better candidate. Reality isn’t always nice and life isn’t fair. I understand if you if you decide to move someplace you feel is more appropriate for your skills. In fact, I wish you luck.” She glanced at her watch. “Now if you’ll excuse me, I have some people to speak to before I pick up my son.” Simone snapped.
“I thought Daniel rode the bus,” Ruby said. “Why do you need to pick him up?”
Simone glared at Ruby. “He had something after school today, ok?” She put her hands on her hips. “Is that all ladies?”
“Go on,” Denise said, waving her off. Simone stormed away from the table. “I hope she gets TMJ from clenching her jaw like that,” Denise grumbled.
“That’s not nice,” Ruby mumbled. She glared at Simone, who managed to recover from their conversation and put on a bright smile for Mr. Goodard in the thirty seconds it took her to reach the head table. “Thanks.”
“For what? That did no good. All we discovered is that Simone’s a liar.”
“So you believe what I said about her promising me a reference?”
“You’re one of the most honest people I’ve ever known. Now her,” Denise snorted. “I think all she just did was lie. She wouldn’t know the truth if it kicked her in the rear.”
Ruby snickered. “It’s good to know I’m not the only one who thinks that.”
“Oh, I think she’s an equal opportunity liar. That’s probably why her husband walked out on her. Did you hear about that? I heard he left her a note on New Year’s Day saying he resolved to correct the mistake of marrying her and start a new life. Things are never that abrupt unless something nasty happened.”
“Maybe,” Ruby mumbled. “Oh Denise, what am I going to do?”
“I don’t know, but maybe she gave us a clue.” Denise said. “You’ve been here a long time. Maybe it’s time to get out of this rut.”
Ruby threw her fork on her plate. “The opportunities to do that are limited in a small town like this one.”
“Well, you never know what tomorrow might bring. It could be a miracle.”
Ruby snorted. “Or a disaster, like the past five years.”
Denise patted Ruby’s hand. “Nothing last forever. Just wait and see. I feel things will change for you very soon.” She smiled. “And that could be good for all of us.”