This week my guest is Tim Ouellette, author of Fractured. He talks to us about cross-genre writing. Come back tomorrow for an excerpt from his work.
Writing
Outside the Box:
The Benefits of Cross-Genre Writing
So…you’re
a writer. You’ve published that poem, short-story or novel, either through
traditional publishing channels or by self-publishing. You’ve begun to garner a
following of faithful Twitter devotees and Facebook Fans, folks who have
begun clamoring for more.
You’re
in the zone, and you can feel it. You’ve got your mojo working, and it’s time to
craft another story just like the last one, right? You wrote a great horror story, or mystery,
or young adult novel, and you’d like to capitalize on that success.
Who wouldn’t?
You step up to your
laptop, set your fingers on the keyboard and produce…
Nothing.
Zip. Zero. Zilch.
The well has been
tapped, the mojo’s gone, and the only thing you feel capable of capitalizing on
is the stock you purchased in those energy drinks that kept you going while
editing your previously published work late into the night.
What’s a writer to do?
I’m going to make a
suggestion here, and it’s one that might seem a bit outlandish; in fact, it’s
something that might appear to fly in the face of standard business marketing
principles. It may work for some, but not for all. It entails a leap of faith
and requires one to enter a world that, at first blush, might appear a bit
frightening to those who have only looked at its landscape from afar.
It’s the world of
Cross-Genre Writing.
SCRATCH THAT NICHE?
Folks who run their own
business often talk about their ‘niche,’ that segment of the marketplace where
they have strategically chosen to run their business. It’s somewhat of a
safety-zone in that it helps the business owner to maintain a cadre of faithful
customers who will (hopefully) purchase their service or product, perhaps even multiple
times. It’s a standard marketing principle and, for the writer, it helps to put
into practice a well-known aphorism: divide
and conquer.
Business owners who
“divide and conquer” have gone to great lengths in establishing themselves
within a focused segment of their market. It allows them to utilize certain
resources in a highly focused, extremely efficient and productive manner.
Writers who do the same
are those who have perhaps discovered a unique talent for creating
genre-specific work. Whether they write crime fiction, horror, young adult, or
another of the standard genres, writers who specialize in a certain “type” of
fiction are the type of people who recognize the worth of a good, solid formula
for success and focus on developing their careers almost exclusively around
genre-specific material.
Genre-specific writing,
in my opinion, is also the type of authorship that allows the writer to put into
practice an extremely efficient marketing plan. Writer’s write, as they must;
but writers must also market their work, which translates in some fashion to
exposure. The genre-specific author who is marketing-savvy will do well to push
not simply his or her work but themselves as the commodity.
In other words, their
name becomes their brand, and the genre they’re writing in becomes, in a way,
their advertising.
SIMPLIFY…OR DIVERSIFY?
The above heading is
not in any way intended to imply that niche writing is somehow inferior to, or
a simplified form of, authorship as compared to cross-genre writing; rather, I
use the terms “simplify” and “diversify” to simply distinguish between writing
within a single genre and writing within multiple-genres.
I thought it would be
best to get that clarification out there.
Writers who are used to
producing a specific type of work and who choose to begin creating cross-genre
material will suddenly find themselves surrounded by an array of creative
choices. No longer bound by self-imposed literary restrictions, authors who
write across multiple genres allow themselves license to express their ideas in
whatever literary form their story decides to take.
This type of writing
can be very liberating, not only for the writer but for the story as well. In
other words, the writer who specializes in a distinct literary form will
undoubtedly gear their raw material toward whatever genre it is they’re working
in rather than allowing the story and characters to develop and grow in a truly
organic fashion.
Diversification in
fiction writing is also a good way for writers to stay on top of their game.
Developing plot lines comes easy for some, not so much for others; but for
everyone it’s a labor of love and something that must be attended to regardless
of the genre one is writing in. Restricting oneself to a specific genre does,
in my opinion, limit one's playing field; it sets up creative boundaries where
none should exist. If one feels “bound” by commonly-held literary “standards”
related to genre, then one might not allow oneself the freedom to create…period.
I DID IT MY WAY
There
really is no right or wrong way to do this. Whether one feels the need to write
within certain boundaries related to a specific genre or allows their work the
freedom to grow and take shape across multiple genres the writer must be true
to oneself, one’s story, and one’s audience. Writing the best story one can,
with as clear and distinctive a voice as possible, regardless of one’s
commitment to (or lack thereof) genre is really all a writer needs to concern
themselves about.
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