AUTHOR INTERVIEW
What made you want to
become a writer?
I’m not
sure I wanted to at first, but I was in a dark place, and I figured at the time
that was my only real shot I had at a dream. When I found out how hard and
unpredictable it was as a profession, I kind of liked it because if someone
pushes you, you push back. It gave me an envelope to push against. If you only
think small, you can hardly expect to get big.
Why Urban Fantasy?
What about this genre appeals to you?
I read an anthology from the
1960s, The Fantastic Universe Omnibus. The stories were very surprising.
It was the thing that scared me a little, too. Who knows how or where we will
end up as a people? Urban Fantasy I guess allows us to feel hope for our
species. That’s what I like most about it. You get to have hope in a future.
Could you tell us a
bit about your story?
My story is about a street
racing accident in the future, but I wanted it to have an element of the human condition. I wanted to show
a measure of humanity surviving among people in a sterile, engineered world
with controlled environments and behavior. American spirit too. We love fast
cars, and our nostalgia for them is self-feeding.
What gave you the inspiration
for your story?
My Dad and
my uncles. They liked fast cars, and I don’t imagine genetics can water that
down much; it seems to show up like a dominant trait. lol
Do you believe an
apocalyptic scenario such as the one in your story is likely? Why or why not?
Possible I would say, and also
likely because of the nostalgia Americans have for cars, a competitive nature
and the love of going fast and competition gambling. It’s an exercise of our
liberties.
Are your characters
based off real people or did they all come entirely from your imagination?
I think most characters are composites drawn
from all the people we know or know of and our own experience. Imagination
takes care of the polish and experiences ties it together.
Of all the characters
you have created, which is your favorite and why?
Probably the boy moonshiner in a
Leprechaun story I wrote. I like him because he reminds me of how I would
probably be if that character were me.
If you’ve read the
other stories in the collection, which is your favorite and why?
Of course I have to say my own
because it’s true, and if you aren’t a fan of your own work, it may be hard to
get other people on board. It’s gotta be good enough to be proud of.
What’s your
connection to the South?
I was born
and raised in West Virginia, but I have lived and worked in Georgia, Tennessee,
South Carolina, Virginia and North Carolina at different times in my life.
Who is your favorite
Urban Fantasy character from another author’s work? Who do you particularly
like him/her?
Rush drummer Neil Peart and
Kevin J Anderson wrote Clockwork Angels, a novel based on the
album. I like Owen in the story because he has ambition and is not satisfied.
He is a reacher and embodies the human spirit and pursuit of freedom.
What is your favorite
writing tip or quote?
My favorite tip is “writing is
rewriting,” and Elmore Leonard says something like “…if it sounds like
writing…rewrite it…”
What else have you
published?
I have
another story published by KYPress; it was in the Peripheral Sex issue. “A
Jealous Haint”
Tell us a little
about your plans for the future. Do you
have any other stories or books in the works?
I am still
working on short stories. I’m still into
that for right now. I do want to do novels again though because it will be
better and more familiar now. Guess I got it backwards. Short stories then the
novels.
A prowler hovered over the street
with its light bars strobing; whirling red then blue. It turned and drifted
over an old parking lot where two gas burners were crashed. The gullwing door
opened and an officer stepped out onto the pavement.
She was tall, draped in black,
had dark sunglasses. Pants tucked into boots. She looked up and down the street
but at four-thirty in the morning, in this run down part of the Old City, there
was no one to be seen. There were only a few houses that looked lived in.
She opened her
tap pad, and walked like a soldier up the street, capturing photos of the
evidence. Two sets of tire marks swept through an intersection, the glitter of
plastic, polymer and glass on old pavement followed a twisted-helix slide
pattern that twirled across the parking lot of a self-serve convenience station
and ended at the tires of a Camaro and a Mustang. Both had slid into a brick
and stone porch of an old house that had burned down.
Little damage to
the porch, severe damage to the Camaro; it was bleeding fluids from all-over.
The Mustang didn’t look so bad. It sat with the driver’s door open and one of
the tires flat. The Camaro, between it and the porch, took all of the crunch.
The officer scanned the VIN numbers through the front windshield and stared at
the screen. It beeped and she looked up from the pad to see an old man was
making his way over from across the street.
“Happy New
Year’s, officer,” an old man said, hobbling closer with a cane, “Big wreck.
They slid into that old foundation there. Must not have been hurt too bad,
though. Both of ‘em got out and took off. I know. I saw the whole thing.”
The officer
looked at her pad, tapped the screen and said, “I will have to take a statement
from you. Please remain nearby.”
“I’m on my way
over to get my morning coffee at the self-serve. I’ll come right back and give
you a statement. You can see I got this cane so wherever I am goin, I’m not
gonna be going very fast.”
He laughed, the
officer didn’t. But her expression relaxed.
“Happy New
Year,” she said, “Go ahead, I’ll make arrangements for a drone transport to
come and remove this evidence, then I’ll take your statement. Looks like I need
a HazMat cleanup too.
”The old man
made his way to the touch screen the size of a door and began to touch out his
order. Then he walked with his cane over to another window and returned to the
prowler with two cups of coffee, handed the officer one.
“Thank you sir,
please have a seat in the prowler” she said, the second gullwing door opened
and the old man declined.
“Oh better not,
once I get down in there you might have to help me get back out.”
“Very well,” she
said.
“You get
anything on those burners over there?”
“No. I got
nothing on either of these burners, couldn’t scan any prints either.”
“Hmmmm,” the old
man said, “I think they had gloves on.”
“I want you to
tell me happened in your own words. I’m going to be recording so continue only
if you acknowledge. Remember,” she said, “recording.”
“I do
acknowledge.”
“Good, Continue
please. I understand you saw the wreck and the drivers running away after. That
correct?”
“Mmmm.
Well, not exactly.”
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