Friday, December 23, 2016

The Forsaken Crown Book Tour


The Forsaken Crown:
A Desolate Empire Prequel
by Christina Ochs
Genre: Epic Fantasy

Sonya is a disgraced mercenary with shattered ambitions. Kendryk is a young ruler in danger of being overthrown. An unlikely pair, they must learn to trust each other to survive the turmoil ahead. But with a corrupt regent, a disloyal aristocracy, and an army in their way, the future looks grim.
The Forsaken Crown, a prequel to The Desolate Empire Series, delivers thrilling battles, devious political intrigue and compelling characters. The Forsaken Crown combines the action and excitement of the Three Musketeers with the sweeping imagery of fantasy. Readers are calling this powerful series "an all-ages Game of Thrones."
Check inside to find out how to get a free copy of Rise of the Storm, Book One in the Desolate Empire Series.



Rise of the Storm (Book 1)

Valley of the Shadow (Book 2)

Hammer of the Gods (Book 3)

Winter of the Wolf (Book 4)


Sonya crept to the edge of the clearing until she had a clear view of the nearest fire. Only two men sat there.
“Go to bed,” she muttered under her breath, not wishing to kill them if she didn’t have to. According to her information, they belonged to Kolnikov’s unit, and he was the one she wanted.
The men didn’t move, their voices a low rumble, interspersed by the occasional laugh. The rest of the camp grew quiet and one after another, the fires died down. Only this one didn’t, and she needed to get past it.
The longer she waited, the more could go wrong.
“Kill one, grab the other,” she whispered to her troopers. “The live one will lead us to Kolnikov.”
Faber, her sergeant, raised his eyebrows then nodded in agreement.
Sonya dashed forward, her already bloody dagger at the ready. The men at the fire weren’t looking, had been staring into the flames too long to see well in the dark.
One man grunted as Faber ran him through. Sonya grabbed the other around the neck, spinning him to face away from her, her hand over his mouth, her dagger at his throat.
“Not a sound,” she whispered in Brianski. “Take us to Kolnikov, and I’ll let you live.”
The man nodded, even as he sagged against her. He was only a little bigger than she was, and didn’t struggle. Her troopers fanned out, making sure no one else was nearby.
“Let’s go,” she whispered to her captive, prodding him with her knee.
He took a few hesitant steps, then moved faster. Sonya kept pace, making sure her blade stayed against his neck. The camp was quiet, though not completely asleep.
“Anyone sees us, you die first,” Sonya murmured by way of encouraging him to take them along a quiet path.
And he did, past the backs of tents, along the goat pens, right into the middle of the camp.
Sonya found its size and order impressive, but then Briansk always had the best of everything. Finally, they reached a large tent near the center.
“Kolnikov?” Sonya asked, and the man nodded.
Faber slit the canvas with a long knife.
Sonya pushed through, the prisoner in front of her. A lamp burned on a desk and behind it, a man had sprung to his feet.
“Try anything and he dies,” she growled at him.
“I’m unarmed,” the man said, his voice surprisingly soft.
“What’s your name?” Sonya held her hostage even tighter.
“Igor Kolnikov, Major in the imperial army of Pyotr, our immortal—”
“Yes, yes,” Sonya snapped. “That’ll do. You must come with us,” she said in a rush, looking over her prize.
Kolnikov had been writing a letter, but dropped the quill at the incursion. His face was broad and pale, framed with curly dark hair, black eyes slightly slanted. He wore a white shirt open at the neck.
“Threatening that man is unnecessary.” Kolnikov sounded so calm Sonya wondered if he had some trick planned. “Please let him go.”
“Once you’re in our custody, maybe,” Sonya said. “Faber, bind his hands.”
“You’re making a big mistake,” Kolnikov said. “The war is over.”
“Hah,” Sonya said, her tone mirthless. “It was still on an hour ago when one of your patrols ran into ours.”
“All right then.” Kolnikov shrugged. “Take me back to your camp and I’ll prove it.”
Brianskis were well-known liars, but just in case Kolnikov was right, Sonya didn’t kill her original hostage. Instead, she had him bound hand and foot, and left in the major’s tent.
Even though Kolnikov’s bulk intimidated her, Sonya would never show it and grabbed him by the arm, just as she had the other man. But she was more cautious this time, sensing a barely restrained violence under Kolnikov’s genial tone. With his right arm wrenched behind his back, she laid her dagger flat against his collarbone, the tip touching his neck.
“I won’t make any sudden movements then,” Kolnikov said, humor in his voice. Without turning his head, his eyes slid in Sonya’s direction. “Your Brianski is good. Where did you learn it?”
“From years of fighting scum like you.” Sonya let the tip of the dagger poke into his skin. “Now shut up.” Not even over a friendly mug of ale would she tell him how she’d learned the language: she’d spent nearly two years in a Brianski prison, her superiors judging her too unimportant for a speedy exchange. That proof of her insignificance had rankled far more than the freezing conditions, insufficient food and brutish guards.
Sonya grabbed Kolnikov even more roughly, then shoved him out of the tents and back the way they’d come. “Go ahead, Tchernak,” she whispered at one of her troopers. “Make sure the way is still clear and that there are no new sentries.”
“There won’t be,” Kolnikov murmured, as Irena Tchernak disappeared into the darkness. “The guard won’t change for another hour.”
“Good for us, better for you,” Sonya hissed through her teeth, her senses back on high alert. The camp was even quieter now as her party slipped between the tents. At the edge, she stepped around the body of the man they’d killed, the campfire nothing but coals now.
“You shouldn’t have done that,” Kolnikov said, nodding at the body.
“Shut up,” Sonya whispered again, shoving him toward the trees.
Tchernak had rejoined them by now. “Coast is clear,” she murmured. “And no sign of that patrol either.”
Sonya breathed a little easier now. Their horses shouldn’t be far away.
Christina Ochs is the author of historical fantasy series, The Desolate Empire, which is based upon the events of the Protestant Reformation and the Thirty Years War (1618-48). Many of her characters are also based on historical figures.
With degrees in history and business, Christina uses her writing to indulge her passion for reading and research. Publishing as an indie author provides an outlet for her entrepreneurial side and she is an avid supporter of fellow authors, both independent and traditionally published.
Christina lives in a semi truck full time, traveling the United States with her truck driver husband and two cats, Phoenix and Nashville.












Crown of Stones Book Tour


From a land long-divided by prejudice and fear, comes the story of Ian Troy, a magic-user bred for war. Reviled for their deadly addiction to magic, Ian’s people suffer in slavery. Drugs suppress their wills and their magic. Their once great empire lies buried, lost beneath the sand and a thousand years of secrets—until Ian unearths the Crown of Stones. Ignorant of its true purpose, Ian wields the circlet’s power and brings peace to the realms, but at a terrible price.
A decade later, scarred and guilt-ridden, Ian has rejected his heritage and his magic. Old enemies have resurfaced and new ones have risen to seize the Crown of Stones. Unwittingly drawn into the conflict, Ian’s addiction reawakened.
Caught in a web of obsession and lies, Ian returns to the past to save the future in a time-spanning journey fraught with loss, betrayal, torture, friendship and love. His beliefs and convictions, his knowledge of magic and history are challenged as Ian unlocks the mysteries of The Crown of Stones. Despite devastating personal consequences, he clings to a hope for peace. But how much is he willing to sacrifice? How much burden can he carry? And how far can a man fall before he can’t rise again?


Magic Price
The Crown of Stones Series - Book 1
By C.L. Schneider
Genre: Epic Fantasy

Ian Troy is one of the Shinree, a fallen people with an inherent addiction to magic. Scorned and reviled for the deadly side of their spells, the Shinree are bred as slaves. Their magic is suppressed by drugs and used only as it serves the purposes of the other races. 
Descended from a long line of soldiers, Ian is conscripted into the Rellan army and made to fight in their longstanding conflict against the ruthless Langorian invaders. The downfall of Rella imminent, Ian goes against orders and turns to the Crown of Stones, an ancient Shinree relic of untold power. Ignorant of its true purpose, Ian uses the crown to end the war, and pays a terrible price.
A decade later, still tortured by the aftermath of that day, Ian lives as a bounty hunter in self-imposed exile. Having renounced his magical heritage, he curbs his obsession with a steady stream of wine and regret. He struggles to put it all behind him, until a fateful encounter with a pretty assassin brings Ian’s past crashing into the present. 

Targeted by a rogue Shinree, and a ruthless old enemy, Ian is forced to use magic again. His deadly addiction is rekindled and his life of isolation is brought to a swift end. With the land he gave up everything to protect once more in jeopardy, and his people’s future at stake, Ian becomes embroiled in a violent race for control of the Crown of Stones. To save the realms and those he cares for, Ian must embrace the thing he fears most: his own power.





Magic Scars
The Crown of Stones Series - Book 2

Magic doesn’t wound the same as a sword.
The story of Ian Troy continues in Magic-Scars, the second installment in C. L. Schneider’s riveting epic fantasy trilogy, The Crown of Stones.
Captured by his old enemy, King Draken of Langor, Shinree magic user Ian Troy was sentenced to prison. Tortured and drugged, robbed of his will, his memories, and his magic, Ian was made to do unspeakable things. Rescued, as his body slowly rids itself of the drug, Ian realizes he has returned to an unfamiliar world gripped with fear. In the wake of his fall, those he cared for were left to their own grim fates. Draken has seized control of the realms and named himself High King. His brutal rein has sparked a desperate rebellion that Ian now finds himself a part of. His one task: recover and repair the Crown of Stones, in hopes it will tip the balance in the revolution that is brewing. In pursuit of the reason behind the artifact’s strange loss of magic, Ian is driven to release an explosion of retribution and power that leaves him irrevocably scarred.
Struggling to reconcile the man he has become with the man he once was, Ian strives to understand the growing number of magic-scars adorning his body. He searches for the truth behind his link to the Crown of Stones and uncovers shocking secrets buried for generations beneath the sand. To become the weapon the resistance needs, he must assume responsibility for his magical inheritance. But can he curb the destructive appetite that comes with it? 

The price of Ian’s magic and his addiction have never been higher.





Magic-Borne
The Crown of Stones Series - Book 3

No other Shinree has borne as much of magic's weight, its pleasure, or its guilt.
The fate of Ian Troy is revealed in the final installment of C. L. Schneider's epic fantasy trilogy, The Crown of Stones. 
In one fell swoop, the resistance was shattered. Lives were taken. Hope was lost. Peace slipped like grains of sand through his fingers. So did the Crown of Stones. Now, forced into hiding, Ian Troy grapples for a way to save the realm—and free its people—from the sadistic clutches of Jem Reth; Mirra’kelan’s new self-appointed emperor. Plagued with the knowledge of a tragic future, he strives to influence events and save those he cares for. But his magic has betrayed him, and Fate has other plans. 
Marked by the crown, hindered by the transformation spell contained within, each cast brings Ian one step closer to becoming more beast than man. Each move brings the death and destruction foretold in his vision inexplicably nearer. With Langor on the brink of war, and King Malaq’s plan for peace hanging in the balance, Ian returns to the ancient past; seeking an end to the eldring spell and a means to thwart Jem’s growing domination. What he finds there sets off a chain of revelations that leads Ian places he never thought to go.

Entrusted with the future of his race, Ian becomes the linchpin for lasting change. But how much weight can one man carry? And how much is he willing to sacrifice in the name of peace?





Born in a small Kansas town on the Missouri river,I grew up in a house of avid readers and overflowing bookshelves. My first full-length novel took shape while I was still in high school, on a typewriter in my parent's living room. My main focus is adult epic and urban fantasy, but I also dabble in the occasional science fiction or post-apocalyptic story. 
Though I have been writing all my life, The Crown of Stones: Magic-Price was my first published novel. Completing the trilogy has been an amazing experience. While I am sad to see Ian and his friends go, I'm also looking forward to breaking new ground.

You can learn more about me and my work at clschneiderauthor.com where you can read reviews, excerpts, sneak peeks and teasers, subscribe to my newsletter, and follow my journey as an indie author on my blog, "Heading Down The Yellow Brick Road". I love to chat with fellow authors and readers, so please connect with me on Twitter, Facebook, Goodreads, and Google+, where I spend most of my time talking about books, zombies, coffee, and the wonderful roller coaster of a writer's life.




The Crown of Stones: Magic-Price (Book 1)
Prologue Excerpt

Bodies pressed in on me on all sides. More were piled up beneath my feet. The grass, gorged with assorted fluids and trampled remains, squished under my boots as I carved open my opponent’s chest, pushed him aside, and moved onto the next.

There was always a next. The Langorians were a swarm…an inexhaustible, savage, mindless swarm. And we had no choice but to become like them to survive. To become animals, going at each other, mechanically pushing against the tide, battering whatever stood in our way with whatever we had; clubs, axes, swords, knives—our bruised, bleeding bare hands. Fighting for days, months, years, striving to hold out against an enemy that knew nothing of mercy, an enemy stronger, and far more brutal than us, we’d become something less than we were.

And we were still losing.

I grabbed the Queen’s arm and steered her out of the fray. “We can’t take much more of this.” Needing to be heard, I drew her close. “We should pull back.”

“Pull back?” Queen Aylagar Arcana yanked herself free. She gave me a wild, defiant look. Full of passion and reckless resolve, it made her exotic features come alive. “My order stands. We press on, Troy. As always.”

 I shook my head. “Our numbers are dwindling too fast. We can’t win this.”

“We can and we will.” Aylagar raised a hand. She touched my face, and the sound of metal clashing and men screaming seemed to fade away. Brushing back the blood-splattered white strands that had come loose from my braid, she ran a finger down the strong line of my jaw. “Trust me, Love. The Langorians will not have Rella.”

“How can you still believe that?”

“Because I must. Because I have faith.”

“Ayla…” I hesitated. But it had to be said. “I saw the messenger arrive from Kabri. I know he carried orders from the King. You can’t keep ignoring them.”

She dropped her hand and backed up. “My husband is a fool. I don’t care how many messengers he dispatches from his throne, he is not out here. The blood of these men bathes my skin, not his. This is my war, Troy. Mine!” she cried. “We fight. We die. We go on until we prevail—by my command. I will not surrender. That is the way of it. That is the only way.” 

My throat went dry at the fire in her. The way she stood, outlined by the backdrop of chaos, flanked by the crackling flames that consumed our camp, with sweat beading on her dark skin and battle-lust glazing her stare, I wanted to pull her into my arms. I wanted to go back to this morning, on the furs of her tent, when Aylagar’s flawless ebony skin was on me. Where status and race didn’t matter and death felt far away. Mostly, I wanted to believe her as I had so many times, that every battle brought us closer to victory. That persistence was our greatest strength, and it would carry us through.

But this was it. King Draken of Langor was throwing everything he had at us, making one final push to wipe us all out. To once and for all lay claim to the land his forefathers had sought, and failed, to conquer. Surrendering was unacceptable; she was right in that. Yet, Aylagar had lost her way. Somewhere along the line, the outcome had stopped mattering to her as much as the fight, and my affection, my awe of her, had blinded me for far too long.

“Give me the order,” I demanded. “Let me shift the odds.”

Her dismissal was quick. “No.”

“We can’t keep going like this, sword for sword, day after day, until there’s none of us left. Let me cast hell down on these black-hearted bastards.”

“I have given you my answer. And it is no different than the last hundred times.”

I moved closer. “You know what I can do. My magic can give us an advantage the Langorians can’t match. We can stop this fucking, never-ending war, Ayla. We can stop it together, with steel and magic. If you’ll just—”

“You are Shinree,” she hissed. “Your kind are meant to do as they are told. Yet, after six years in the ranks you still push for something that I will never bend to.”

“Then you’re as big a fool as the King.”

Her hand, that only a moment ago had caressed me, struck my face. “My husband forced your service in this army upon us both. And from day one, when you stood in my tent, a young man, eager to please, drooling with the urge to cast, I made it plain that this conflict would not be solved with magic. It’s dishonorable. I don’t trust it. I forbid it. You are my best soldier, Troy. I have given you free reign in my bed, but not out here. Not in battle. Ever. Is that clear?”

Staring at her, my heart went cold. “I don’t think I can do this anymore. Fighting as half a man. Ashamed of what I am because you don’t approve. I’m not just a soldier.” I held up the sword in my hand. I called to the stones embedded in the leather-wrapped handle and they began to glow. Their vibrations pressed in through my skin, down into my veins, and the uncertainty washed away. “I’m a Shinree soldier.”

“Put that magic away,” she scolded. “Do you want to kill us all?”

“I can control it.”

“Can you?” Her eyes were harsh. “Can you promise that when your spell steals the strength it needs to be born, that it won’t steal from my men? That it won’t steal from me? Your magic is a disease, Ian. Your need for it, your addiction, clouds your judgment. It threatens us all and undermines my orders.”

“Your orders contradict my duty to keep Rella safe. I’ve tried to pretend they didn’t. I’ve tried to be what you wanted. But I can’t. I’m Shinree, Ayla. I am magic. And if you don’t untie my hands, we will all die here today.”  













Wednesday, December 21, 2016

Guest Author, Damon Norko

Meet my guest today, punk rocker turned novelist, Damon Norko.


Many people remember Damon Norko from his stumping around the MD-DC area in the 1980s with a "Poems for Sale" sign on his back. He split his time between poetry and song-writing for his rock band, The Submensas (1983-1993). Songs from this era can be found at http://thesubmensas.bandcamp.com/ Life took hold of him for about a decade; he opened a chess store in downtown Baltimore and didn't write much until the early 2000s. His dystopian novel, The Delilah Factor (2010), which imagines a future world inhabited only by men, marked his return to the world of writing. Currently, he is an English teacher and theater director.


Interview

1. What made you want to become a writer?

I began writing fiction after being a punk rocker in the early 1980s.  Fiction seemed a natural extension of the lyrics of my songs. I self-published an early novel, Alias Art Mann (1985) which reflects my transition from bar chords and shouted lyrics (like “Fifty million Rambos/Are gnawing at the scene/Gulping Armageddon caviar/Having strange dreams”) to exploring more nuanced points, more in-depth characters, and a more elaborate world view.  But I have always viewed artistic expression as the front line in the battle for human liberty.
2. What are your biggest literary influences? Favorite authors and why?
I believe that Kurt Vonnegut, Ray Bradbury, Robert Heinlein, Samuel Delaney, Issac Asimov and Ursula K. Leguin are perhaps my greatest early influences, all of whom are science fiction authors of some renown.  Each of them has an insightful and far-reaching world view and I feel that there has long been a “conversation” about human interaction with technological development. But consistent in these writers is the sense of humanity, the feeling that “we’re all in this together.”  I look for this connection in everything I read and have found it in other non-SF writers as well, such as Borges, O. Henry, and Poe. 
3. If you could have written any other book by any other author, what would it be, and why?
This is an interesting question, and oddly I am going to use someone else’s answer!  One of my favorite stories is Jorge Luis Borges’s Pedro, Menard, Author of Don Quixote, which is written from the point of view of the executer of a man’s estate.  The deceased man, Pedro Menard, had spent his life trying to write Cervantes’ Don Quixote — not copy it but REWRITE it exactly as it was.  He had failed in this endeavor, of course, but the question that had always fascinated me was “Why?”  And the meaning of the story wasn’t clear either.  But it is interesting that we do indeed emulate the work of the greats, and indeed imitation is the greatest form of flattery.  And you can’t help wondering after reading the story just how it would be to write such a work.  And so, I would submit my answer to the question as “Don Quixote.”
4.      What are you reading at the moment? Would you recommend it to readers of this blog? Why?
I recently completed reading every word of Ray Bradbury’s “100 Stories” compilation, which was absolutely fantastic. I highly recommend this book to anyone who is a student of the short story.  So many plots and themes and ideas of Bradbury are left open-ended, allowing for rumination and expansion by those who have come afterward.  Bradbury’s humanity shines through on every page and each image brings delight.  A truly inspirational work!
5. Do you think people have misconceptions about the speculative fiction? Why do you think it is a worthwhile genre?
This question is spot-on, as you can see that I certainly think it’s a worthwhile genre.  But what about others?  In my humble opinion is that people do have misconceptions about the genre, mainly because of an association with conspiracy writings and the like which have cluttered up the marketplace.  What I mean is, the synopses of many recent SF novels all read like Shonda Rhimes’ TV plots (which I actually like). But the average reader, wary of fringe material, is going to pass on some books that might have sound philosophy and a critical world view.
6. Could you tell us a bit about your most recent book?
The Ghost Cop is an inquiry into the world that might be if humanity ever managed to harness of the essence of the human soul.  Would this result in yet another corporate product available only to the elites?  What if a ghost rebelled?  I tapped a character that made a walk-on in the previous ghost book, The Ghost Writer.  I thought it’d be interesting to see how the ghost cop, who was supposed to be guarding against the unknown repercussions of the newly discovered ghost world, suddenly turned against it.
7. Tell us a little about your plans for the future.  Do you have any other books in the works?
I am actively working on two plays, 1980 and 1990, and another YA-friendly novel that is almost done called The Levee (it is not part of my ‘ghost’ series’). The Levee foresees a future Earth in which the seas are dry.  Water is the currency.  Yet things seem very normal for Darren, a Food Mart worker, until he meets an old flame . . .
I am also in the planning stage of another “ghost” book, as well as continuing my Reflections of the Future series of short stories, which now number 10. Some of these are published in various places across the web.
Website: damonnorko.com
Facebook: damon norko
Twitter: @damonnorko
Also, don’t forget the Submensas on http://thesubmensas.bandcamp.com/

Excerpt from The Ghost Cop (Black Rose Writing, 2016)


Like osmosis from yesterday’s rain, Thad rose up through the tree, past the peeling bark of the old limbs, and into the mesh of tightly wound younger branches, until he tickled the green twigs that were just unbending themselves to the world. Thad found a sunbeam that had penetrated the dawn mist, and rode the beam as it extended across the land, westward towards the rolling hills of I-70, to where the Orpheum Corporation’s flagship building lay, white and rectangular, surrounded by sidewalks and turf, its rooftop bristling with antennas. Instead of a fence, a grassy berm, sculpted with boulders that were hauled out of the developed farmland, had been constructed along the perimeter. Pennants billowed from electrical signature sensors that were staked along the top of the berm, a rim of nerve endings that spiraled data back to the great humming hive of technology, where large silver screens and field containment systems monitored the world of ghosts. Manning the screens were white-collared employees who were quite unconcerned about the corporation’s philosophy or its bottom line, but who were trying to afford their small apartments and to pay off their student loans while gaining invaluable on-the-job technology experience. (No one who put the name of Dr. Kelvin Herbert, the GCCE’s chief administrator, down as a reference, failed to get a job later on. It was a known fact.) The technicians were locked in fixed concentration upon the luminous screens, which displayed wavy lines of the ghosts who had to be surveilled at all times.
To enter the GCCE, a ghost had to go through the east wall of the building, which was comprised of a long windowless rectangle of white cinderblock surmounted by an immense aluminum and glass skylight, arranged in layers, which bristled with four bulbous radar receptors and dozens of smaller antennas. The absence of windows was not an issue; the skylight did a magnificent job of capturing the rays from the morning sun. The rays were refracted throughout the cavernous reception area, to be absorbed into the potted plants, ferns and forsythias, which had aligned their stems to the skylight: waiting, thirsting, wilting.
The wall was two hundred yards long and three stories high. Though it gleamed white, there ran a motley band of color along the bottom as if some monstrous, mischievous child had used up a giant box of crayons to cover the wall with graffiti. Here were scrawled, in ink or paint or nail polish or blood, or sometimes printed on paper and scotch-taped to the cinder blocks, messages from those whom the ghosts had left behind. On this wall there were notes, news, communiques, missives, Bible quotes, poems and pictures from mothers, fathers, sisters, brothers, friends, and fans who knew that their ghosts would have to come through this wall on their way to and from the Orpheum Corporation, and although the still-living humans could not see the ghosts, they still hoped that their messages would reach the intended target. The paper flyers flapped in the wind for a season, and then the remnants of the messages, plastic tape being resistant to the elements, pocked the paint.
The loved ones merely sought closure, and so they were largely tolerated by the Orpheum Corporation as the price of doing business with immortality. But others who came to the wall were angry and sought revenge against real or perceived wrongs – victims, perhaps, of misbehaving ghosts. There were those who would show up in rags and in poor health, and who would blame their departed relatives for their lot in life, and seek compensation for their loss. These people would cause problems, forcing corporate security to step in. Some of the visitors never left the site. Because the corporate grounds were closed at night, they would camp in the woods and return in the morning to resume their vigil outside the wall, spreading blankets on the grass.
Today, as usual, souls were stirring. A man and a woman had just arrived to claim their usual spot, he with a scraggly beard and long hair, she with a red bandana and a motorcycle jacket. Steaming cups of coffee were in their hands. Another man, further down, sat cross-legged, jabbering at the wall without waiting for the wall to respond. Still another man, near the end of the wall, had a magnifying glass in his hand and appeared to be scrutinizing the messages to see if they had been read.
The jabbering man unbent his legs and leapt up. Shouting incoherently, he flung himself at the wall. It looked to Thad as though the fellow had fancied himself a ghost and had become convinced that he himself could go through the wall.
Idiot! You have to die first! 

If the book sounds as fascinating to you as it does to me, you can purchase it below:


Tuesday, December 20, 2016

Christmas in the Wilds of Pennsylvania

Tomorrow I am heading with my husband and son to visit my husband's parents in very rural Pennsylvania. I'll have limited access to the internet while I'm there, so you won't hear much from me directly over the next week. Several blog tour with excellent giveaways are scheduled during that time to keep you entertained.

To all Christians, Merry Christmas!



To non-religious people who still think Christmas is great fun, Merry Christmas!


To Jews, Happy Hanukkah!



To Pagans, Happy Solstice!




To Everyone Else, Happy Holidays!