Thursday, May 16, 2013

Michele M. Reynolds, Guest Author


Today, welcome Michele M. Reynolds, author of Trail Swap. Tomorrow come back for a sample of her work.

Tell us a little about yourself?

I grew-up in NJ but have lived in PA, NC, FL, and now Massachusetts. Right after undergrad I started doing work with kids and never looked back. I live at home with my family of 10 (don't panic this includes a dog and 4 cats.)

What made you want to become a writer?

I love reading about different worlds, characters, and adventures. I love even more being the creator of things like that. I love that ideas just pour out of me onto the computer screen that I was not expecting. I write some dialogue or scene and think, "Where did that come from?" Those are wonderful moments.

What genre do your works fall into?

Today I wrote a list. Right under Buy Mangos I wrote figure out what genre you fall into. I am not joking you. My best bet right now is GENERAL FICTION.

What about this genre appeals to you?

I like fiction because it has such creative freedom. I, however, one day might write a nonfiction book.

Could you tell us a bit about your most recent book and why it is a must-read?

Number one reason: Every time I re-read the book I was entertained and laughing at parts. I found myself pretty clever and hilarious.

Trail Swap is about an amusing woman who tries to find new direction in life while hiking the Appalachian Trail (AT) and battles her fears of life's broken hearts. It has outdoors action, some romance, a lot of humor, family issues, and a boatload of fun characters.
*I also have Off-Trail & Tunnel W for FREE on Smashwords.

What gives you inspiration for your book?

Trail Swap is two stories in one, so there are different inspirations. One is my love of hiking the AT and the love for the trail culture. The second inspiration was my time living in North Carolina. I lived in a small town in western North Carolina where the southern hospitality was wonderful.

Are your characters based off real people or did they all come entirely from your imagination?

Little pieces of the characters are based on real people. The most notable was Tucker a 10 year old going on 20. He is based on my nephew Aaron and named after one of my mentors. The rest of the people are just random people who pass me in a supermarket or are completely made-up.

Of all the characters you have created, which is your favorite and why?

I have been asked that before. I have to say at this point, Tucker. He is very witty and such an old man. I love the relationship him and Farryn create. It reminds me of my nephew and my relationship when he was growing up.

What is the biggest surprise that you experienced after becoming a writer?

That strangers would read my book and write a critique that said "I could not put it down." The negative was that there were people whom I was close to would not read the book. If one of my friends wrote a book, I would read it. I will still keep them on the friends list though.

Is there any particular author or book that influenced you either growing up or as an adult?

Recently, I really like the Book Thief. I love Kurt Vonnegut, Tom Robbins, Barbara Kingslove, and Margaret Atwood. I hope to be half the writer as they are. I love Hocus Pocus by Kurt Vonnegut. How the character writes the book on scraps pieces of papers. That is classic. Together each of them have qualities of writing fearlessly, humorously, and entertaining.

Do you have a day job in addition to being a writer?  If so, what do you do during the day? 

I am a supervisor in an outreach clinical team. I supervise therapists' clinical decisions and assign families to teams of outreach workers. I love the organization I work for, and I love our team. My favorite part is helping them learn and grow.

What is your favorite writing tip or quote?

This is a GREAT question. I know this seems simplistic, but "Show Don't Tell." That is basic advice, but some seasoned authors still TELL INSTEAD of showing.

Tell us a little about your plans for the future.  Do you have any other books in the works?

Boy do I! If I could quit my day job (that I love) and just write, I would. I am currently getting Trail Swap ready for print. I, also, have a long list of  book ideas.
I writing a book about the Everglades wilderness camp in the 2040's. There is a tough woman with some moxie that enters this corrupt, invalidating world and bites off a little more than she can chew. I used to be a wilderness counselor in Florida so I am drawing on that personal experience. I am hoping to have it ready to be out August 2013.

Where can we find you online? 


Twitter: @MReynolds42

Smashwords Off-Trail   & Tunnel W   FREE  


Friday, May 10, 2013

Fractured by Tim Ouellette, an excerpt

Yesterday Tim Ouellette talked to us about the benefits of cross genre writing. Today read an excerpt from his collection of horror fiction and poetry, Fractured. If you like the excerpt, why not try out the book.

Blurb:
Demonic children. A husband on the brink of insanity. A woman whose obsession brings her back from the dead . . . night after night. Fractured is a collection of horror fiction & poetry that seeks to delve into the darkest regions of the human mind. 


Excerpt:
Demontia
By
Tim Ouellette

From “Fractured”, a collection of Dark Fiction
Paul McGowan sat in the passenger seat of his wife’s black Dodge Caravan, his forehead pressed firmly to the cold glass. The sun was setting as he stared, unblinking, out the side window at the houses and trees passing by. The last time he had been on this road was August; he’d been delusional and in the back of an ambulance, strapped to a gurney.
            Screaming.
It was October now and most of the leaves had turned color and fallen victim to either gravity or entropy. Those not quite in the grip of the former flipped and turned in sharp bursts of frenetic energy, a stiff wind driving them forward in violent displays of brilliant, bleeding-red and burnt-orange.
An architectural engineer for a large firm in downtown Boston, Paul had spent the better part of his life coloring safely inside the lines. Logic and reason had dictated his existence for as long as he could remember. Paul had a habit of reducing everything in his life down to very specific, precise patterns.
Deviation was not an option.
One could say that, up until now, Paul’s life had been the very antithesis of chaos and disorder.
            Beverly pulled into the driveway of their modest split-level home and turned off the ignition. She dropped the keys into her pocketbook.
 Paul sat up and rubbed his neck.
Beverly turned to her husband and smiled; it was forced, thin. The engine continued to tick for a moment and then was quiet.
            “Are you sure you’re ok?”
Paul nodded without answering. Lowering his eyes he wiped his palms on the clean, crisp blue jeans his wife had brought to the hospital; this left two sweat-stained smear marks running from his upper thighs to his knees.
He checked his shirt pocket for his medication, jiggling the small, cylindrical plastic container. The pills that had stopped his delusions and pulled him from the brink of insanity rattled around like plastic beads in a child’s toy.
He wiped his hands on his jeans again. I’ll have to wash these now, he thought absently. He pressed his left hand to his temple, rubbing counter-clockwise in slow, deliberate circles.
He turned to look at his wife. She was staring out the windshield now, waiting patiently for him to finish. He cleared his throat. “I’m ok.”
She continued staring ahead. “Alright then; let’s go inside. Alyssa’s waiting
Alyssa’s waiting she’s been waiting waiting so long and now you’re here and she’s so hungry
            for you inside.”
            Paul opened the van door and stepped out. The moon was rising, casting their familiar surroundings in shadow.
            Beverly came around the other side of the van, held out her hand, and together they approached the house.
 Trimmed hedges surrounded a well-maintained front yard; a brick walkway ran from the driveway to the front steps. The house, dark-blue with white trim, sat at the end of a cul-de-sac in an affluent suburb of Boston. An autumn wreath hung on the outside of the front door.
            Beverly grasped the doorknob and turned.
            The front door opened into a darkened foyer; there was a light on in the adjoining room but it couldn’t quite penetrate the deepening shadows.     

           
            Paul peered into the dark. He rubbed his eyes with his free hand.
            He could just make out the shape of someone crouching in the center of the darkened foyer and could hear the sound of rapid breathing.
            Beverly smiled. “There you are honey; come out and say hello to your father.”
            The figure shifted forward slightly and scuttled to its left, cocking its head first to the left, then to the right, like a dog listening to a high-pitched whistle.
            Paul shook his head from side to side. “No…I can’t…this can’t be happening,” he whispered.
            The darkness parted as something slowly separated itself from the shadows.
            “Daaadddyyy….”



Thursday, May 9, 2013

Writing Outside the Box


This week my guest is Tim Ouellette, author of Fractured. He talks to us about cross-genre writing. Come back tomorrow for an excerpt from his work.

Writing Outside the Box:
 The Benefits of Cross-Genre Writing

            So…you’re a writer. You’ve published that poem, short-story or novel, either through traditional publishing channels or by self-publishing. You’ve begun to garner a following of faithful Twitter devotees and Facebook Fans, folks who have begun clamoring for more.
            You’re in the zone, and you can feel it. You’ve got your mojo working, and it’s time to craft another story just like the last one, right?  You wrote a great horror story, or mystery, or young adult novel, and you’d like to capitalize on that success.
Who wouldn’t?
You step up to your laptop, set your fingers on the keyboard and produce…
Nothing.
Zip. Zero. Zilch.
The well has been tapped, the mojo’s gone, and the only thing you feel capable of capitalizing on is the stock you purchased in those energy drinks that kept you going while editing your previously published work late into the night.
What’s a writer to do?
I’m going to make a suggestion here, and it’s one that might seem a bit outlandish; in fact, it’s something that might appear to fly in the face of standard business marketing principles. It may work for some, but not for all. It entails a leap of faith and requires one to enter a world that, at first blush, might appear a bit frightening to those who have only looked at its landscape from afar.
It’s the world of Cross-Genre Writing.

SCRATCH THAT NICHE?

Folks who run their own business often talk about their ‘niche,’ that segment of the marketplace where they have strategically chosen to run their business. It’s somewhat of a safety-zone in that it helps the business owner to maintain a cadre of faithful customers who will (hopefully) purchase their service or product, perhaps even multiple times. It’s a standard marketing principle and, for the writer, it helps to put into practice a well-known aphorism:  divide and conquer.
Business owners who “divide and conquer” have gone to great lengths in establishing themselves within a focused segment of their market. It allows them to utilize certain resources in a highly focused, extremely efficient and productive manner.
Writers who do the same are those who have perhaps discovered a unique talent for creating genre-specific work. Whether they write crime fiction, horror, young adult, or another of the standard genres, writers who specialize in a certain “type” of fiction are the type of people who recognize the worth of a good, solid formula for success and focus on developing their careers almost exclusively around genre-specific material.
Genre-specific writing, in my opinion, is also the type of authorship that allows the writer to put into practice an extremely efficient marketing plan. Writer’s write, as they must; but writers must also market their work, which translates in some fashion to exposure. The genre-specific author who is marketing-savvy will do well to push not simply his or her work but themselves as the commodity.
In other words, their name becomes their brand, and the genre they’re writing in becomes, in a way, their advertising.

SIMPLIFY…OR DIVERSIFY?

The above heading is not in any way intended to imply that niche writing is somehow inferior to, or a simplified form of, authorship as compared to cross-genre writing; rather, I use the terms “simplify” and “diversify” to simply distinguish between writing within a single genre and writing within multiple-genres.
I thought it would be best to get that clarification out there.
Writers who are used to producing a specific type of work and who choose to begin creating cross-genre material will suddenly find themselves surrounded by an array of creative choices. No longer bound by self-imposed literary restrictions, authors who write across multiple genres allow themselves license to express their ideas in whatever literary form their story decides to take.
This type of writing can be very liberating, not only for the writer but for the story as well. In other words, the writer who specializes in a distinct literary form will undoubtedly gear their raw material toward whatever genre it is they’re working in rather than allowing the story and characters to develop and grow in a truly organic fashion.
Diversification in fiction writing is also a good way for writers to stay on top of their game. Developing plot lines comes easy for some, not so much for others; but for everyone it’s a labor of love and something that must be attended to regardless of the genre one is writing in. Restricting oneself to a specific genre does, in my opinion, limit one's playing field; it sets up creative boundaries where none should exist. If one feels “bound” by commonly-held literary “standards” related to genre, then one might not allow oneself the freedom to create…period.

I DID IT MY WAY
            There really is no right or wrong way to do this. Whether one feels the need to write within certain boundaries related to a specific genre or allows their work the freedom to grow and take shape across multiple genres the writer must be true to oneself, one’s story, and one’s audience. Writing the best story one can, with as clear and distinctive a voice as possible, regardless of one’s commitment to (or lack thereof) genre is really all a writer needs to concern themselves about.





           

Saturday, May 4, 2013

The Lost Heir, Excerpt

Yesterday, we talked to Andi O'Connor. Today, read an excerpt from her novel, The Lost Heir. If you like it, comment below and buy a copy.

Blurb


Always a meticulous planner, Darrak Hunter leads a dull life until his dreams become plagued with visions of a peculiar and distant world.  Waking up to a brilliant purple sun looming ominously in the sky, Darrak is met by a mysterious violet-eyed sorcerer who whisks him away from the struggling Earth.

Thrown into the clutches of a foreign world where magic is reality and not all is as it seems, Darrak embarks on a journey where he is forced to come to terms with his past and do what he can to shape the future.  Accompanied by a talented swordswoman, a prince, and a beautiful young sorceress, he must overcome cunning plots of treachery and betrayal to discover the strength to stand against a destructive black magic and an enemy who is a master at deception.
Excerpt
      Mionee suppressed a shiver as she dismally followed the soldier through the dark hallways. The moment that she had materialized outside the entrance to the Dréyan castle, she had immediately regretted her decision to Travel with such great haste. Having only been in Dréyan once when she was a small child, she had forgotten how frigid the southern country was. The vastness of the surrounding mountains allowed little sunlight to enter the valley where the country lay, and cold formidable air penetrated the land.
When inside the castle, visitors were not allowed to forget the dreariness of the outside. Constructed of heavy black stone from the Norath Mountains, the castle was built more like a fortress than a home. It was three levels of solid rock except for narrow slits on the top level, designed to let in what little sunlight the land was fortunate to receive. The hallways and rooms, lit only by occasional wall torches, were tremendously cramped, and the furnishings were dark and solemn.
Mionee became increasingly depressed the longer she followed the soldier through the meandering hallways, and she was extremely grateful when he came to a sudden stop in front of a large wooden door ornately carved with the Denthald coat of arms. He knocked once, quickly opened the door, and wordlessly waved her through. Mionee jumped as the door slammed shut behind her, and she found herself standing in a room more spacious than the others she had seen, but not much warmer.
“Ah, milady, it is wonderful to see you!” King Denthald exclaimed as he stood to greet the princess who blushed as he affectionately kissed her hand. “That is quite a stunning gown,” he said with obvious admiration. “Unfortunately, we do not see much besides wool and fur in these parts. Practical, but not flattering to the figure,” he winked.
Mionee giggled softly. She felt quite bashful, which was a stark contrast to her usually confident and outgoing demeanor. “I forgot how much colder it is in this country than in Mystandia,” she replied, unable to control a shiver.
“Ah! Where are my manners?” the king exclaimed as he took off his cloak and gently placed it around her shoulders. “You must be freezing! I will have you meet with a master dressmaker as soon as we are done here. He is the best in the country and will do a superb job in outfitting your wardrobe. In the meantime, please wear my cloak. It is not very elegant, but it will certainly keep you warm!”
“Thank you,” Mionee murmured as she closed the heavy fur tightly across her chest, allowing the warmth to slowly seep back into her body.
“So,” Denthald began as he lowered himself back into his chair. “How are things developing? I must say that it came as a surprise when you told me you were Traveling here this morning!”
“It was a surprise to me as well. Events have been progressing rather quickly, but everything has remained in our favor,” Mionee answered with a sly smile. “Cyrus has found the boy.”
“Well done,” the king said as he leaned forward in his chair, quite pleased with Mionee’s news. “Where was he?”
“Mystandia,” she said simply. “Once his parents were murdered, my father knew the boy was no longer safe and brought him to the palace. With a few quick spells, his appearance was changed, and Ipzaag took him in as his apprentice.”
“That is glorious news. Perhaps the young heir will be able to give us some valuable information. Will Cyrus and the boy be joining us here?”
“Yes, but they will not be making the journey with the aid of méno. It is too risky. We cannot control where the boy would materialize. I have instructed Cyrus to bring him over the Pass of Kal’denk. We should expect them within a month.”
“Excellent!” Lord Denthald exclaimed as he leaned back in his chair, clearly pleased with their good fortune.
“Milord...”
“Please, call me Garenth,” he said with a warm smile. “After all, that is my name is it not?”
“Garenth,” Mionee continued as the heat quickly returned to her cheeks. “It is time to unite the bands of The Organization. We must be ready to launch an attack as soon as possible.”
“Aye,” he agreed. “Those were my thoughts as well. The attack must come swiftly. I will send riders to our strongholds in Lé’nath, Bé’nag, and Taneim. We should be able to strengthen our army by approximately six thousand soldiers within a month. After that, it is simply a matter of making the journey to Mystandia. The Pass of Kal’denk is dangerous, but it will allow us to travel in secrecy. The trees shielding the Létaag River will provide our forces with sufficient cover. If necessary precautions are taken, they will be able to travel swiftly down the river unnoticed. The palace guard will not realize they are under attack until the hour is too late.”
Mionee nodded her agreement. “I will notify the members of The Organization in Mystandia. With a little communication and some careful timing, we will be able to launch the two attacks simultaneously.”
“Very good,” Garenth said as an iniquitous smile spread acrosshis face. “I think, my dear, that we are finally going to get what we deserve.”
“Yes,” she replied. “Thanks to your father’s recent and unexpected death, the rule of Dréyan is already ours. We simply need to defeat the palace to have dominion over all of Dragonath. Once we have reign over both Dréyan and Mystandia, the other countries will fall. None will have the power to defeat our armies.”
“And what of Earth? How are developments there?” “Exemplary. The changes are already beginning to take effect. Soon the human population will be too weak to resist our forces. Earth will be ours.”
“This calls for a celebration!” Garenth exclaimed as he stood and walked over to the sidebar. “Would you care to join me?”
“I would be honored,” Mionee replied with a dazzling smile.
He handed her a goblet and grinned when she took a sip. Used to the sweetness of the Mystandian wine, Mionee was shocked at the sharp bitterness of the liquid and had to force herself to swallow. “It is quite strong,” Garenth chuckled, “but it will warm you up rather quickly. You will find that a little goes a long way.”
“It certainly does,” she said with a tiny hiccup. She had not eaten anything since the previous day and could already feel the wine going straight to her head. “It usually does not affect me like this,” she said bashfully.
“As I said, it does not take much. Perhaps we should finish our conversation over lunch,” Garenth suggested. “Would you like to accompany me to the dining hall? I believe the cook has prepared something special for your arrival.”
“That sounds lovely!”
“Come, milady. There is much we have yet to discuss.”
“What did you have in mind?” Mionee asked.
Garenth set down his wine, offering her his arm. “Our future.”

Friday, May 3, 2013

Andi O'Connor Interview


Today, welcome Andi O’Connor, author of The Lost Heir. Sorry, I'm a day behind schedule this week. Tomorrow come back for an excerpt from Andi's novel.



Tell us a little about yourself?

I am an avid reader and book lover, and I am the proud owner of 5,043 books. Yes, you read that right. 5,043 actual books. I don’t do the e-book thing and refuse to own an e-reader, and I cannot walk into a bookstore without purchasing at least 4 books.

Now that you all think I’m completely loony, I’ll tell you a bit more about myself. I am obsessed with elves and am genuinely distraught that they don’t exist. I listen to vinyl, particularly records from The Monkees, and my favorite drink is a large Jameson, neat. Up until recently, British Comedies were my main form of visual entertainment, but my two-year-old son has forced my husband and me to add Sesame Street to our repertoire. I am an avid ballet dancer, and I am convinced that if everyone took ballet, the world would be a much more joyous place.

What made you want to become a writer? 

When I was growing up, my mom shared her love of books with me, and I in turn developed my own book affair. My love of reading led me to write for fun, and things slowly developed from there.

As to why I write, it goes beyond simply wanting to share the stories I create. I am a firm believer that books are some of the most powerful weapons in our society. I am not one who follows the belief that ignoring difficult or controversial issues will make them disappear, and I do not shy away from including such topics in my writing. Although I write fantasy, I have touched on things such as female equality, rape, racial discrimination, and the discrimination of people with disabilities. People may agree or disagree, that is not important. What is important, and the reason I do what I do, is that I get people to confront the issues. Perhaps my writing will introduce my readers to a new way of thinking and get them to reconsider their opinion. Perhaps it will help them to better understand the views of someone who does not share their opinion. Perhaps it will inspire them to take action in their community and help to bring awareness to an issue. Perhaps it will aid them to begin a discussion with friends and family. Whatever the outcome, they are not ignoring the issue, and that is what is important. That is what will allow our society to evolve and grow.

What genre do your works fall into? 

Fantasy

What about this genre appeals to you? 

I love the freedom I am granted when writing fantasy. I can allow my imagination to take me wherever it wants to go. There are no limitations or restrictions to the worlds and beings I create. Yet, what I find truly magical about fantasy is that a completely fictitious world riddled with fanciful beings and nonexistent powers can be totally believable.

Could you tell us a bit about your most recent book and why it is a must-read? 

The Lost Heir follows a young man on a journey to a distant world where he must come to terms with his true identity before he can battle an evil that threatens the future of both his new home and his old. Only through his inner-strength, and trust in his new companions, can he begin to accept his responsibilities to save both Dragonath and Earth from destruction.

I suspect that at one time or another, many of us have wondered what it would be like to visit a distant world or discover we had magical abilities. By taking a character from Earth and introducing him to such a place, I was able to create a distinctive level of empathy towards Darrak. The scenes in the beginning of the book where I alternate between the two worlds are intentionally jarring to the reader. When Darrak arrives on Dragonath, the reader makes the same journey. They experience the same wonderment, confusion, and fear. They get as close to traveling to a distant world as they possibly can.

What gives you inspiration for your book? 

I get inspiration from everything. Literally. I have always been content to be an observer rather than a participator, and I am continually amazed at how much that affects my writing. I pick up details that many others might not notice. A particular scene or emotion I am working on will suddenly jog my memory of something I witnessed months earlier. People, places, world events, controversial issues, conversations, dreams, books, animals, expressions, actions; you name it. I’ve even drawn inspiration from the color and patterns hanging in my office.

Are your characters based off real people or did they all come entirely from your imagination? 

I’ve done both. My husband was the inspiration for Darrak, especially in the beginning of The Lost Heir when the reader is introduced to his soda addiction and laundry habits. Other characters, such as Selantia and Anarra, are completely from my imagination.

Of all the characters you have created, which is your favorite and why? 

I would have to say that my favorite character is Jae from my short story, Redemption. I was able to get inside his mind on a deeply raw and personal level. The situation he is in puts him in an extremely vulnerable state, both mentally and physically, yet there is an air of tenacity about him. Despite the deplorable actions performed against him, he still has compassion for others and a willingness to put the lives of others before his own. I actually find him to be quite inspirational.

What is the biggest surprise that you experienced after becoming a writer? 

The thing I continually find to be surprising is that I do not experience a sense of completion when a project is finished. So far, I have written two books and four short stories. When each one was completed, I experienced a great sense of pride and accomplishment, then immediately thought, Now, I can begin editing and work on the sequel to this or finish that… Though, I suppose that’s the great thing about being a writer. I won’t ever be done.

Is there any particular author or book that influenced you either growing up or as an adult? 

Terry Brooks was my first introduction to fantasy, and I am still a huge fan of his writing. His Shannara series is what got me hooked to the genre and prompted me to hunt for other fantasy authors. Philip Pullman is another author I read when I was younger, and I still think about his writing to this day.

Do you have a day job in addition to being a writer?  If so, what do you do during the day?  

I do not. I used to teach private cello, piano, and violin lessons, but I stopped that so I could focus on my writing.

What is your favorite writing tip or quote? 

Do not write to conform to society. Be honest, and be yourself.

Tell us a little about your plans for the future.  Do you have any other books in the works? 

The Lost Heir is the first book in The Dragonath Chronicles. I have begun work on the second book, Awakening, and have loose plans for 2 other books in the series. I recently finished another fantasy novel titled Silevethiel. It is also the first book in a series, so I will begin writing book 2 in the not so distant future. I also have plans to expand one of my short stories into a novel, but that keeps getting pushed further down on my list.


Where can we find you online? 

Barnes & Noble 

Friday, April 26, 2013

The Ruby Brooch excerpt


Yesterday, we met author Katherine Lowry Logan. Today, read an excerpt from her time-travelling romance, The Ruby Brooch. If you like the excerpt, buy the novel.

Blurb

And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom. ~Anaïs Nin
Can a 21st century paramedic find her heart's desire on the other side of time?
From the white-plank fenced pastures of Lexington, Kentucky, to the beautiful Bay of San Francisco, “The Ruby Brooch”, a saga steeped in family tradition and mystery, follows a young woman's journey as she searches for the truth on the other side of the heather-scented mist.
As the lone survivor of a car crash that killed her parents, paramedic Kit MacKlenna makes a startling discovery that further alters her life. A faded letter and a well-worn journal reveal that she was abandoned as a baby and the only clues to her identity are a blood-splattered shawl, a locket that bears a portrait of a nineteenth-century man, and a Celtic brooch with mystical powers.
After studying the journal, she decides to continue her father's twenty-year search for her identity and solve her birth parents' murders. For safety reasons, she adopts the persona of the Widow MacKlenna. Although a perfect cover for her eccentric behavior, she will be forced to lie and MacKlennas don't lie, or so she thought. Finally, dressed and packed, she utters the incantation inscribed on the ancient stone and is swept back to Independence, Missouri, in the year 1852.
Upon arriving in the past, she meets Cullen Montgomery, an egotistical Scotsman with a penchant for seducing widows. The San Francisco-bound lawyer happens to resemble the ghost who has haunted Kit since childhood. She quickly finds the Bach-humming, Shakespeare-quoting man to be over-bearing and his intolerance for liars threatens her quest.
If she can survive his accusations and resist his tempting embrace for seventy-three days, she might be able to find the answers she seeks, and return home to a new life without changing history or leaving her heart on the other side of time.

Excerpt

Prologue
Independence, Missouri, April 4, 1852
IN A SUNLIT corner of the cluttered Waldo, Hall & Company freight office, Cullen Montgomery sat tipped back on a chair’s spindly rear legs reading the newspaper and scratching a rough layer of morning whiskers.
Henry Peters slumped in a leather-reading chair and propped his legs, covered in faded cavalry pants, on a crate marked textiles and bound for Santa Fe. “What you learning ‘bout in that gazette?”
Cullen chuckled at what little real news the paper printed. Since he no longer lived in Edinburgh or Cambridge, he needed to lower his expectations when it came to the local press. Every word of the Independence Reporter had been read and reread, and although he couldn’t find mention of a scientific discovery or notice of a public discussion with a famous poet, he knew Grace McCoy had gotten hitched last Saturday. Reading the paper’s recitation was unnecessary. He’d escorted the bride’s widowed aunt to the nuptials and knew firsthand that the bride had swooned walking down the aisle. Virgin brides and widows. The former didn’t interest him, the latter lavishly entertained him.
He gave the last page a final perusal. “There’s no mention of our wagon train pulling out in the morning.”
The old soldier took a pinch of tobacco between his thumb and forefinger and loaded the bowl of his presidential-face pipe. “We ain’t got no more room anyways. No sense advertising.”
The day had turned unusually warm, and Cullen had dressed for cooler weather. Sweat trickled down his back, prompting him to roll his red-flannel shirtsleeves to his elbows. “Mary Spencer’s not going now. We can take on one more family.”
Henry dropped his feet, and his boot heels scraped the heart-of-pine floor. “Dang. Why’d you bring up that gal’s name?”
“It’s not your fault she disappeared.” Although Cullen hadn’t said anything to his friend, he believed the portrait artist he’d seen making a nuisance of himself at the dress shop had sweet-talked the porcelain-skinned, green-eyed woman into eloping.
“Maybe, maybe not.” The joints in Henry’s bowed legs popped and cracked as he stood and stepped to the window.
Cullen pulled out his watch to check the time. Before slipping the timepiece back into his vest pocket, out of habit he rubbed his thumb across the Celtic knot on the front of the case. The gesture always evoked memories of his grandfather, an old Scot with a gentle side that countered his temper. Folks said Cullen walked in his grandsire’s shoes. He discounted the notion he could be hotheaded, with one exception. He had no tolerance for liars. When he unveiled a lie, he unleashed the full measure of his displeasure. “We can’t worry about yesterday, and today’s got enough trouble of its own.”
“Rumor has it John Barrett needs money. Heard you offered him a loan.” Henry wagged his pipe-holding hand. “Also heard he got his bristles up, saying he wouldn’t be beholdin’ to nobody. Got too much pride if’n you ask me. You get down to cases with that boy and straighten his thinking out.”
God knew Cullen had tried. “If I can’t find a compromise, our wagon train could fall apart before we get out of town.”
“You’re as wise as a tree full of owls, son. You’ll figure it out.”
The newspaper had served its purpose so he tossed the gossip sheet into the trash. Then he stood and stretched his legs before starting for the door.
Henry rapped his knuckles on the windowsill. “Where’re you goin’?”
A queue tied with a thong at Cullen’s nape reminded him that his shaggy hair hadn’t seen even the blunt end of a pair of shears in months. “To the barber. Afterwards, I’ll figure out how to get your wagon train to Oregon. There’s a law office with my name on the door waiting at the end of the trail. I don’t have time for more delays.”
Henry’s bushy brows merged above his nose. “There’s more than work awaitin’ you.”
“To quote an old soldier: Maybe. Maybe not.” With the picture of a San Francisco, dark-haired lass tucked into his pocket alongside his watch, and the keening sound of his favorite bagpipe tune playing in his mind, Cullen left the office to solve today’s problem before it became tomorrow’s trouble.

Chapter One
MacKlenna Farm, Lexington, Kentucky, February 10, 2012
KIT MACKLENNA TOOK the brick steps leading to the west portico two at a time. When she reached the top step she slipped on a patch of black ice. Her arms and legs flailed rag-doll like, giving her some kind of weird location never intended for a human body. Forward motion ended abruptly when she collided with the farm’s marketing manager exiting the mansion wearing three-inch heels and her signature pencil skirt. Tucked under Sandy’s rail-thin arm was Thomas MacKlenna’s 1853 journal. Both women screamed. Sandy’s arms went up and the book hit the floor. And for the second time in less than thirty minutes, Kit landed on her ass.
“Oh, I’m so sorry.” Sandy helped Kit to her feet. Then she picked up the leather-bound journal, brushing ice crystals from its cover.
“My fault. I wasn’t paying attention.” Kit rubbed her sore butt. “That’s old Thomas’ journal, isn’t it? Did you read the proclamation to the staff?”
Sandy’s normally animated face brimmed with heartfelt concern. “The forty-day mourning period is officially over. But I’m not sure it will make your life any easier.”
Kit unbuckled her helmet and tugged on the dangling chin strap. “I woke up believing I’d feel better today, but I guess that’s my character flaw.”
“What is?” Sandy asked.
“Believing the impossible is always possible.” Kit slipped her hand into the pocket of her plaid bomber jacket and fingered a crumpled letter. “Every once in a while, impossible is just what the word means.”
Sandy squeezed Kit’s arm. “I know it’s hard, but you’ll get through this, too.”
Kit removed her helmet and shook her hair, pulling out a few long blond strands and a clump of mud. “Days like today make me wonder.”
Sandy gave her another reassuring squeeze. “I wanted to ask you something.” She opened the journal and pointed to a line in the proclamation. “This mentions a great-grandson born on the fortieth day? Do you know his name?”
Kit read the line above the marketing manager’s manicured nail. “There’s no record of a birth. Daddy said old Thomas was senile when he died. He probably imagined a grandson.”
“I wonder why no one ever made a notation in the journal.” Sandy snapped the book shut. “Whatever. Oh, by the way, I left the sympathy cards that came in this morning’s mail on the table in the foyer.”
A salty tear slid from between Kit’s eyelids and down her face, leaving behind a burning sensation on her wind-chapped skin.
Sandy pulled a tissue from her pocket. “Here, take this.”
Kit wiped her face and silently cursed that she no longer had control over her emotions.
“Everyone on the farm misses your parents and Scott. We’re grieving with you.”
“I know.” Kit blew her nose. “It’s made the last six weeks easier.”
“Well, call me later if you want to go to lunch or talk or cry. I don’t have broad shoulders like Scott, but I can listen.”
“I miss him bugging the crap out of me.” Kit scratched the scar on the right side of her neck, something she often did when she thought of her childhood friend.
“I can bug you, if you want. Since I don’t have your dad to pester, I feel sort of useless.” Sandy grasped the railing and made her way down the stairs. “Hey, what happened to your stick?”
Kit stooped and picked up her broken whip. “Stormy went one way. I went the other.”
Sandy cupped one side of her mouth as if sharing a secret. “Don’t tell Elliott. He worries about you enough.”
“The way news spreads around here, I’m sure the old Scotsman has already heard. He’ll find me soon enough and ream me out.”
“Don’t let anyone hear you call him old. That’ll tarnish his reputation.” A crease of amusement marked Sandy’s face. “Hey, did you hear what happened to his latest fling?”
Kit covered her ears. “TMI.” Half of Lexington’s female population gossiped about the sexual exploits of the serial dater. The other half made up the membership in the Elliott Fraser Past & Present Girlfriends’ Club.
Sandy eased her long legs into an electric cart. “Oh, I forgot. I returned your copy of Palm Springs Heat. Loved it.” She depressed the accelerator then gave a beauty-queen wave goodbye.
Kit mimicked the wave.
The former Miss Kentucky and marketing guru laughed. “A bit more wrist, sweetheart.”
“Pshaw.” Kit glared at the offending wrist that had been broken four or five times. She wasn’t the beauty queen type. She could ride a Thoroughbred bareback, but put her in a pair of strappy sandals and she’d get stuck in the mud. It wasn’t that she was clumsy. Just the opposite. Silly shoes couldn’t compete with her penchant for practical footwear. She lived on a farm, for God’s sake.
Before entering the house, she ran the soles of her tall riding boots across the blunted top edge of the boot-scraper. Then she turned the brass doorknob and gave the heavy oak door pockmarked with Civil War bullet holes a quick shove. It opened on quiet hinges into an even quieter house.
The scent of lemon oil permeated the twenty-foot wide entrance hall. Even as a child, she’d loved the smell. The room cast the appearance of a museum with a vast collection of furniture from the eighteenth and nineteenth centuries. Each piece darkened by countless waxings. Now that Sandy had read the proclamation, the cleaning staff could remove the black linen shrouds that draped the family portraits dotting the oak-paneled walls.
Kit dropped her helmet, crop, and muddy jacket on the rug, and then pulled off her boots, leaving everything piled by the door.
The letter.
She grabbed it from her jacket and stuffed the note inside her shirt pocket.
The side cabinet held a stack of sympathy cards. She blew out a long breath. People from all over the world sent condolences. Their thoughtful words tugged at her heart, but she couldn’t read them right now.
An official looking envelope from the Bank of San Francisco piqued her curiosity. It was incorrectly addressed to Mrs. Kitherina MacKlenna. She pried her nail beneath the sealed flap. Then the phone rang. Elliott? Avoiding him was impossible. He’d continue to call until she answered. She dropped the mail on the edge of the table and hurried down the hall.
On the second ring, she entered her father’s office. On the third, she plucked the receiver from the cradle. “MacKlenna Farm.”
“Do you have a cold, or are you crying?” Elliott asked in a voice that held only a hint of his brogue.
She propped a hip on a corner of the mahogany desk. “I strained my vocal chords last night singing all of Scott’s favorite songs.
“Heard that squawking. Almost called the police.”
A faint smile eased the tension in her face. “You’re in rare form today.”
“I’ve been at a meeting with the board of directors.”
“Well, that explains it. Where are you now?”
“Driving through the main entrance. Stay put. We need to talk.” The line went dead.
“I need to talk to you, too,” she said, sassing the handset before dropping it into the charging cradle. The dang thing tumbled out and landed on the desk next to a Jenny Lind doll trunk. The bread-loaf-shaped trunk held that closed up for a long time smell that made her nose twitch. “Achoo.”
She smacked the lid closed and somehow pinged her finger on one of the brass nail heads that held a metal strap in place. Droplets of blood pooled beneath the tip of her nail. The injured digit automatically went to her mouth.
My accident prone morning finally drew blood.
She shoved off the desk and paced the room. When she heard the door knocker, she veered into the hallway. The canvases were now uncovered. Welcome back. Just as she’d done since childhood, she patted each one, saying their names in a sing-song manner: Thomas I, Thomas II, Sean I, Jamilyn, Sean II, Sean III, Sean IV, Sean V. She usually kissed the portrait of her father, Sean VI, on the cheek, but not today.
At the ripe old age of five, Kit had decided she wanted her portrait to hang alongside Sean I’s twin sister, Jamilyn, who died while sailing to America. Kit didn’t want her great-great-great-great aunt to be the only woman in the MacKlenna Hall of Fame. So she drew a self-portrait, then nailed it to the wall with wood screws she found in her daddy’s toolbox. She’d never forget explaining to her pony that she couldn’t ride for a month because she damaged the wall. She patted the blemishes between the portraits, still visible to those who knew they were there. Punishments and tragedies had never diminished her ability to take it on the chin—until now.
Elliott was visible through the front door sidelight standing on the porch wearing a green Barbour jacket and khakis with the usual knife-edge press. His aviators were tucked into the collar of his polo shirt. A MacKlenna Farm ball cap covered all but the sides of his freshly barbered hair. She kicked her boots and muddy jacket aside and opened the door. “Why’d you knock?”
“Door was locked. Didn’t have a key.”
“Sorry. I must have done that when I came in.”
Her godfather crossed the threshold, favoring his right leg. His expression was solemn and severe. She knew the old injury to his calf was especially sensitive to the cold. He removed his cap. Then as he raked his fingers through the silver hair above his temples, he sniffed the air. “Cleaning day.”
“Sandy just read the proclamation.”
“It’s done then.”
Kit pointed over her shoulder. “Mom’s portrait is uncovered. All the shrouds are gone.”
He glanced at the portrait hanging over the mantel. An equal measure of sadness and anger registered on his face. “That’s Sean’s best work. It never should have been draped.”
“I had to follow MacKlenna tradition. Daddy would have come back and haunted me if I hadn’t. The last thing I need is another one of those see-through people.”
“Sean MacKlenna as a ghost. That’s an intriguing thought.” Elliott hung his jacket and cap on the hall tree. When he spied her coat and boots on the floor, he clucked his disapproval. “Let’s go into the office and you can tell me why you came off your horse this morning. That’s twice this week.”
She held her breath a moment waiting for the lecture.
“Your horse showed up at the barn without you. Scared the grooms and trainers. If a hot-walker hadn’t seen you cutting through the tree line, every alarm on the farm would have sounded.”
She twisted a corner of her shirttail that had come untucked when she fell the first time. “The ghost spooked me at the cemetery. Stormy planted his feet and I went over his shoulders. Then I had to walk home with a sore back, a bruised ego, and that handsome apparition shadowing me. Again.” She glanced out the sidelight to be sure the ghost wasn’t still hanging around. “Today he looked like a nineteenth-century lawyer all decked out in a double-breasted frock coat. What’s up with him anyway?”
“I’m sure your ghost didn’t intend for you to fall.”
She elbowed Elliott in the side. “Get your tongue out of your cheek. I never know whether you believe me or not.”
“I believe you. But if you fall and break your back again, you might never get up.”
She rolled her tongue along the backside of her teeth to give it something to do instead of blurting out that she didn’t want Elliott or a ghost or anyone else hovering over her. She was a paramedic. The Lexington Fire Department trusted her. Wasn’t that proof enough she could take care of herself? “If you’re done with the lecture, tell me what the board of directors wanted.”
His face tightened. “It was a heated meeting. Hazy Mountain Stud wants to buy a controlling interest in Galahad. I don’t want to decrease the farm’s percentage of ownership in the stallion, but as CEO I only have one vote.”
“That means he’ll shuttle to the southern hemisphere every year. Daddy didn’t have a problem with that. I guess the board feels—”
Elliott reached over and patted her twice on the shoulder. “Don’t worry about it.”
She folded her arms, stiffened, then followed him down the hall. “If I had a dollar for every time Daddy told me not to worry, I’d have more millions than his estate.”
“And more Apple stock than me.”
“Haha,” she said, glowering at his back.
They entered the office. Elliott headed straight to the full-service wet bar located opposite a wall of floor-to-ceiling windows. “I suppose it’s too early for scotch.”
As if on cue, the long case clock in the corner sounded the hour.
“Nine o’clock is a bit early for me, but you might want a drink to wash down what I’ve got to tell you.”
He poured a cup of coffee instead and pointed it toward the desk. “What’s with the trunk? I’ve never seen it before.”
She lifted the lid. Small leather pouches filled with diamonds, gold nuggets, and coins lay on top of a bloodstained lace shawl. “Jim Manning’s office called late yesterday. He wants a copy of the 1792 land grant for probate. No one could locate the original. I searched the desk this morning and bingo. It was with this trunk.”
“I didn’t know there was a drawer that big.”
“There’s a secret compartment. Daddy showed it to me when I was a kid.” She framed an imaginary headline with her hands. “Heir learns secret at age of ten.” Her shoulders sagged. “He said never to open it until I was the farm’s mistress. Now I am and I still felt guilty doing it.”
“Thanks to that MacKlenna brainwashing, you feel guilty about everything. So what’d you find in the treasure chest? Gold doubloons?”
“Sort of. And a journal. And a letter from Daddy.” Her voice teetered on the verge of cracking. “He said he found me on the doorstep when I was a baby.”
Elliott muttered, shifting uneasily on his bad leg. “We both—” He cleared his throat. “—found you asleep in a Moses basket.”
The heat of confusion burned through her. “You knew?”
A wistful expression deepened the fine lines on Elliott’s chiseled face. “Sean asked me never to tell you.”
“Don’t you think I had a right to know?”
Elliott stared into his coffee and pulled his lips into a tight seam.
She pointed her finger at him. “You know what’s in the trunk, don’t you?”
“Did he save the shawl?”
The confirmation in the form of a question stung her far beneath the skin.
“I thought you were hurt, but the blood was on the shawl, not you.” He set his cup on the desk and picked up the ruby brooch Kit had taken from the trunk earlier that morning. “This was pinned to your dress. I haven’t seen it since we found you. I didn’t search the basket. Sean said he would do that.”
“I found a book on Celtic jewelry in Daddy’s library. That’s a fourteenth-century brooch. The letter said it’s magical. Do you believe that?”
Elliott picked up a portrait miniature of a blond-haired, nineteenth-century man, studied the face, set the painting aside, and then ran a finger across the two-inch ruby set in delicate silver work.
“I’ve studied our folklore most of my life, Kitherina. I believe there’re forces in the universe we can’t see or understand. If Sean said this is magical, I have no reason not to believe him.” Elliott turned the brooch over and studied the back of the stone. “My grandfather used to say, ‘Some see darkness where others see only the absence of light.’”
She drew in a breath. “Meaning?”
He placed the brooch in her hand and curled her fingers around it. “Keep an open mind.”
“That’s what Daddy said in his letter before he said this thing took him back to 1852.”
Elliott’s face lost its color. “Where’s the letter?”
Kit pulled it from her pocket and nudged his arm. “Here.”
Lines formed between his eyebrows. “You made a paper airplane out of it?”
She glanced at the blister on her knuckle. “With sharp creases, just like you taught me. Then I flew it into the fireplace. It crashed on its side or the whole thing would’ve caught on fire.” She walked over to the wet bar to grab a bottle of water. “My grief counselor would probably call it a form of disassociation. Burned my finger when I pulled it out.” Her finger hurt like hell. “Read it out loud. It might make more sense hearing it from you.”
Elliott smoothed out the folded letter and began with a quick throat-clear. “Dear Kitherina, I’m writing this knowing you may never read it, but I can’t risk dying without telling you the truth of your birth. Please keep an open mind as you read.
“You were only a baby when I found you on the steps of the west portico, wrapped in a bloody lace shawl. At first, I thought you were bleeding, but you weren’t. You had a ruby brooch pinned to your dress and a portrait miniature clutched in your hand. Both the portrait’s gold frame and the shawl have a monogrammed M worked into their design.”
Elliott carried the letter and cup of coffee across the room and sat in a tufted, hunter green, velvet wing chair situated just so in front of the fireplace. He took a sip and continued. “Not long after your second birthday, I discovered whoever made the brooch had split the ruby and hinged the halves together. Engraved inside is a Celtic inscription: Chan ann le tìm no àite a bhios sinn a’ tomhais an gaol ach ’s ann le neart anama.”
Elliott lowered his hand to his lap and she could tell he was thinking hard. Then he said, “‘Love is not measured by time or space. Love is measured by the power of the soul.’ At least that’s my best translation.”
Kit dropped onto the ottoman in front of him. “I wondered what it meant.”
He took another sip of coffee. “When I read those words out loud, I was instantly propelled toward amber light. I found myself in Independence, Missouri, in the spring of 1852. The city was a major jumping off point for those traveling the Oregon Trail. That year alone, there were over fifty thousand people heading west, so you can imagine the crowds in the city. Since I was there for several weeks, I painted portraits to earn money for room and board. I also painted from memory the face of the man in the portrait miniature and showed it to everyone I met. Although a few people thought he looked familiar, no one was able to identify him.
“When I decided to return home, I repeated the words. I had no way of knowing if the brooch would take me home, but neither did I understand why it had taken me to Independence to begin with, although I am thankful it did. The brooch is, however, your legacy, not mine.”
Elliott leaned forward, pressed his elbows into the arms of the chair, gripped the letter between his hands, and continued reading. “I’ve spent over twenty years researching 1852, Independence, and the Oregon Trail, but I’ve found no mention of a missing ruby brooch or a disappearing baby. If I had discovered evidence of one or the other, I would have gone back. If a lead existed, it has been lost to history by now.
“I had the bloodstains on the shawl tested. The DNA profile was compared to a sample of your DNA, and there is a genetic match. The blood belonged to your birth mother. I’m sorry I can’t offer you more to help you understand where you came from, but I know where you belong, and that’s on MacKlenna Farm.” Elliott’s hands shook as he ended the letter. “Even though you weren’t born a MacKlenna, you are one—the ninth generation.” He dropped the paper on the table next to the chair. Color drained from his face. “I’ll have that scotch now.”
Kit picked up the letter and slipped it between the pages of the journal. “You and Daddy were friends for over forty years. You believe this is true, don’t you?”
Elliott poured two fingers of scotch and tossed them back in a single swallow. “Sean never lied to me.”
“Well, he lied to me,” she said, her voice cracking. She dropped the journal on the desk next to a photograph of her show jumping at the 2010 World Equestrian Games in Lexington. The tips of Kit’s fingers traced the smooth edges of the frame. “If I had died in the crash too, this information never would have surfaced.” The normal steel in her voice melted into a gray puddle at her feet.
Elliott shuffled to her side and wrapped his arms around her—arms that had held her through boyfriend breakups and broken bones and burials.
“Daddy raised me to believe in a code of honor. Keeping a secret like this goes against everything he taught me.” Her eyes filled with drowning grief. “I hurt, Elliott. I hurt because my parents and Scott are dead. I hurt because my parents didn’t tell me about this. I hurt because I don’t bleed MacKlenna blood. My life has always been about bloodlines and pedigrees. We know our stallions’ dams and sires.” She thumped her chest. “Who sired me? Who?”
The winter wind ceased, and the skeleton branches no longer thrashed against the side of the house. “Damn it,” she said, breaking into the silence. “It would have been so different if I’d known all my life that I was adopted. I wouldn’t have bought into this two-hundred-year-old family legacy if I’d known I wasn’t really one of them.”
Elliott punched his fist into his palm. “You’re wrong, young lady. You’re as much of a MacKlenna as those old men whose pictures are hanging in the hallway.”
She grew quiet as a dozen thoughts bunched up like racing Thoroughbreds along the rail. “You don’t get it, do you?”
His deep brown eyes held a puzzled look. “I get it. I’m not sure you do. You’re still Kit MacKlenna. It doesn’t matter who your birth parents were. You’re now the heart and soul of this farm.”
The wind started up again, blowing hard and swirling around the house with a mournful cry. Kit pushed away from him and faced the window. Her fingers dug into the thick drapery panels. She pulled them aside, allowing a shaft of outside gloom to peek through.
“What’s in the journal?” Elliott asked.
Glancing over her shoulder, she offered him a smile—a tense one, without warmth or humor. “After I read the letter, I couldn’t read anything else.”
He swept his hand toward a pair of sofas that faced each other. “Let’s sit and look through it. There might be something in there to make you feel better about this news.”
From her position at the window, she could see her mother’s winter garden—stark and bare. “That’s unlikely.”
He put his arm around her. “Come.”
They settled into the thick cushions, a signal to Tabor, a brown tabby Maine Coon, to jump up between them and perch on the back of the couch. “Get down, Tabor,” Kit said. The cat jumped to the floor and sauntered over to a corner of the room.
“Your mom spoiled him. I’m surprised he listens to you.”
“He doesn’t. He’s scared of you. He thinks Dr. Fraser is going to give him another shot.”
“Memory like an elephant.” Elliott gave Tabor a thoughtful glance, then flipped to the first page of the notebook where Sean had written 1852 Independence, Missouri. The next pages contained pencil sketches. Shops on the right, a grid of roads around a town square on the left.
She pointed to one of the buildings. “Look at the woman in that window. Who does she look like?” Kit opened the drawer in the table next to the sofa, rifled through the contents until she found a magnifying glass and then held it over the picture. She gasped. “Good God. It’s Mom. Why’d he sketch her there?”
Elliott grabbed the glass and squinted through it, then regarded Kit with narrowed eyes. After a moment, he returned his gaze to the drawing and said, “Sean drew Mary’s face when he doodled, just like you draw Stormy.”
Kit turned to the next page and began to read. With a gulp of surprise, she grabbed Elliott’s hand, demanding, “Listen to this. ‘I met Mary Spencer the day I arrived in Independence.’” Kit could barely move, feeling as if her joints had frozen where she sat. “What’s he saying, Elliott? That Mom was from the nineteenth century? But that’s impossible.”
He placed his other hand over hers and squeezed. “You’re the one who believes the impossible is possible.”
“Yes, but—”
“If we had told you we’d found you on the porch, you would have wanted to know what steps were taken to find your birth parents. Sean wasn’t going to tell you that he’d found a way to travel back in time. If he had, would you have believed him?”
“An act of omission is still a lie and MacKlennas don’t lie.” The revelations stripped away the bare threads of her self control. She jumped to her feet and whipped her head around so fast her ponytail smacked her in the chin. The room folded in on her. If she didn’t get air she would suffocate. She staggered to the French doors, pushed them open, and stumbled onto the portico.
Elliott stood in the doorway. “Come back in here. Let’s talk about this.”
The fingers in her right hand tensed into a fighting fist. “Go to hell.”
A moment later, the doors clicked shut.
She pounded her fist on the railing as she stared out over the rolling hills covered with frost-tipped Kentucky bluegrass. Her stomach roiled, but she kept down the little bit of food she’d eaten at breakfast. Why has this happened? She closed her eyes, but darkness couldn’t halt her father’s words from flashing strobe-like across her brain.
When her eyelids popped open, she spotted her ghost. He stood under the pergola in the garden, rubbing his thumb across the front of his watch case. A gesture she’d often seen him make. He stretched out his arm, beseeching her to come to him.
“What do you want?” The panic in her voice reminded her of the little girl she had once been, sprawled on the ground after falling from her horse—scared, but not of him. A sob tore from her throat. “There’s nothing you can do.”
He slipped his watch into his pocket, gazed once more into her eyes, then faded away.
Sometimes life is nothing more than a photo album full of goodbye pictures. She stepped back into the house, an empty house, where unlike her ghost, the hurt and the heartache would never fade away.